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First published in Great Britain in 1995 by Collins Crime
© Reginald Hill 1995
Reginald Hill asserts the moral right to be identified as the author of this work
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Source ISBN: 9780007334810
Ebook Edition © AUGUST 2015 ISBN: 9780007391905 Version: 2015-07-27
This all started when Joe Sixsmith came sneaking out of a small side door at St Monkeyâs.
The reason he was in St Monkeyâs was to rehearse Haydnâs Creation.
The reason he was sneaking out was that on arrival his Aunt Mirabelle had seized his arm in a grip like a council bailiffâs and said, âWhatâs this Iâve been hearing, Joseph?â
Only the impatient rattatooing of Mr Perfectâs baton saved him from immediate grilling.
Joe had no problem guessing what it was Mirabelle had been hearing. Galina Hacker, thatâs what. Normally his aunt, a firm believer that any bachelor butting forty and not an alto needed a wife, would have been delighted to hear her baritone nephew was keeping company. But in this case, as well as being an affront to her own preferred candidate, Beryl Boddington (who gave Joe a little wave from the sopranos as they took their place), rumours about Galina must have hit the Rasselas Estate like word of Mrs Simpson reaching Lambeth Palace.
Joe, a reasonable though not always a rational man, could see how it might be a shock to the auntly system to learn heâd taken up with a spiky-haired seventeen-year-old with a stud in her nose, no bra, and a skirt like a pelmet. But he saw no reason to explain himself. On the other hand, he saw every reason to avoid interrogation.
If the Boyling Corner Concert Choir had been on its home ground, he wouldnât have stood a chance. Mirabelle had the few exits from the square-built chapel more tightly covered than a nunâs nipples. But the choirâs growing reputation had led to an invitation to join with the South Bedfordshire Sinfonia and St Monkeyâs Chorale in a performance of the oratorio to mark the five hundredth anniversary of the granting of Lutonâs Royal Charter. After token resistance from some of the older members, Boyling Corner had agreed that it made sense for the performance to take place in St Monicaâs (known to impious Lutonians everywhere as St Monkeyâs). Its advantages were obvious. Better acoustics, central situation, more seating space. And, less obvious, but best of all to a desperate man, a much greater variety of escape routes.
Joe waited for the final Amen. He glanced towards the contraltos. Mirabelleâs eyes were fixed firmly on Mr Perfectâs â that is to say, the conductor, Geoffrey Parfittâs â raised baton. As it came down, he took a step backwards into the taller men behind him. His heel came down on someoneâs toe and a voice shot up an anguished octave.
âSor-ry!â sang Joe.
Then he was off like a whippet. Heâd spotted an outer door in a small side chapel. Heâd no idea if it would be open, but if you couldnât trust God in a place like this, whatâs a heaven for? As he reached the door he heard the conductor saying, âNot bad, but still a way to go. Wrap up well. Itâs a raw night and we donât want any sore throats, do we?â
He grasped the handle, turned it, felt resistance, said a prayer, and next moment he was safe in the darkness of the night.
Mr Perfect was right. The air was cold and dank, but Joe sucked it in like draught Guinness. His first instinct was to turn left and head for the bright lights of St Monkeyâs Square from which it was only a short step to the real Guinness at the Glit. But that could be a fatal error. For a woman of her age and bulk, Mirabelle was no slouch over fifty yards. Better safe than sorry. He turned right and headed into the gloomy hinterland of the churchyard.
Though it had a Charter, Luton didnât have a cathedral. The rich burghers of the last century had set about compensating for this oversight by commissioning the erection of the largest parish church in the country. The money ran out before it quite reached that stature, but it was big, and