Close-Up
The legendary, incendiary novel of the film industry back in print after 20 years. A Hollywood Babylon for our timeMarshall Stone, international superstar and charismatic member of Hollywood's elite. Abundantly blessed with charm, genius and wealth, the one gift he most desires – everlasting youth – seems within his grasp when an eminent writer begins the star's biography. But painful memories and suppressed scandals threaten to expose the fiction of his life.Dazzled by flattery and numbed by threats, the biographer is caught up in the big-daddy world where books are properties, films are investments, ratings are rigged, and stars and directors are bought and sold like slaves at an auction.The rituals, the wheeler-dealing politics, and back-stabbing tactics of the richest industry in the world have never been more effectively portrayed. And at the heart of this glittering machine, a brilliant star who will do almost anything to remain untarnished.This reissue includes a foreword from the cover designer, Oscar-winning filmmaker Arnold Schwartzman, and a brand new introduction by Len Deighton, which offers a fascinating insight into the writing of the story.
Читать Close-Up онлайн беплатно
Cover designer’s note
When I moved from my London home to Hollywood in 1978 I made a pilgrimage to the famed Hollywood sign. To my great dismay I found that the former real estate sign that later became the iconic landmark of “The Motion Picture Capital of the World” had become derelict.
Thankfully, due to the sterling work of some entertainment luminaries, the sign was later restored to its former glory but I never forgot how it had looked. So when I was asked to create a new design for Close-Up, Len Deighton’s wonderful tale of the glamour and sleaze of the film industry personified in the fictitious Marshall Stone, the sign’s deteriorating characters gave me the idea of dropping the letter “S”, alluding to Stone’s fall from favour.
I have a small collection of postcards of Hollywood movie stars’ homes and so it occurred to me that we should show Marshall’s lavish Beverly Hills residence, a colourful view of life during the star’s heyday, which contrasts sharply with the background of the sign. Marshall himself was added to the card, looking suitably pleased with himself – possibly he is off to an awards ceremony (though more likely to politely applaud a rival’s win than to collect one for himself).
For the book’s spine I went through my rather extensive collection of cigarette cards and found this card of “Continuity girl & Director on set”, one of my favourites from the series.
The back cover shows a part of the 1940s board game, Oscar – The Film Stars Rise to Fame. With triumph and scandal around every corner, and money dictating who would succeed and who would fail, it seemed the perfect metaphor for the highs and lows of Marshall Stone’s life, and the world of Hollywood in Close-Up!
Arnold Schwartzman OBE RDI
Len Deighton
Close-Up
Copyright
This novel is entirely a work of fiction.
The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
Published by HarperCollinsPublishers Ltd
1 London Bridge Street London SE1 9GF
First published in Great Britain by
Jonathan Cape Ltd 1972
CLOSE-UP. Copyright © Len Deighton 1972. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Introduction copyright © Pluriform Publishing Company BV 2011
Cover designer’s note © Arnold Schwartzman 2011
Len Deighton asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Source ISBN: 9780007395774
Ebook Edition © MAY 2011 ISBN: 9780007395811 Version: 2017-08-22
In the recent past it has become fashionable for writers to use thinly disguised biographical material about ‘show-business’ figures, but I have not intended to depict any person, living or dead, or any film, institution or corporation, past or present.
Len Deighton
Contents
Cover designer’s note
Copyright
Epigraph
Introduction
1
The heavy blue notepaper crackled as the man signed his…
2
‘All my brother ever wanted to do is make this…
3
No oriental potentate had a more attentive retinue than followed…
4
The unit publicist on Stool Pigeon sent me the biography…
5
The phone at Weinberger’s bedside had the quietest ringing tone…
6
Marshall Stone had almost forgotten the miseries that airline companies…
7
There are places midway in status between antique showrooms and…
8
The Japanese signs and sentry boxes, and the section of…
9
And who was I kidding about contractual possibility. The publisher…
10
The same world to which Stone had sacrificed his sense…
11
‘Leo Koolman, only twenty months ago you joined this organization…
12
The Merchant of Venice at His Majesty’s Theatre: the first…
13
For Marshall Stone, his life was not made of the…
14
Christmas Day 1948, Bookbinder remembered it only too clearly. He…
15
Man From the Palace has a place in the history…
16
Cherrington is a public school by definition, simply because it…
17
A film is born on the day that the man…
18
In 1952 the tourists guessed wrongly; September was entirely gentle…
19
The countryside grew dark more slowly than the town. The…
20
This whole episode was as artificial as a bad film.
21
Show-business trade papers reflect the heady optimism of the people…
About the Author
Other Books by Len Deighton
About the Publisher
Introduction
The story of Marshall Stone is the story of an actor. His dilemma is one that still faces many actors and actresses. Public television was born with the Berlin Olympics of 1936 and after a period of hibernation caused by World War Two, it soon became an affordable utility of the Western World, like hot water and electricity. But for actors and actresses television did not have the attraction offered by the theatre and films. Television became the residential home where reputations went to die and it has never escaped from this grim shadow.
