Dawnspell

Dawnspell
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Book Three of the celebrated Deverry series, an epic fantasy rooted in Celtic mythology that intricately interweaves human and elven history over several hundred years.‘A cracking read’SFXAn end to exile, heroes scattered and darkness rising… When Jill and Rhodry are forced apart by unexpected circumstance, Rhodry vows to find her, no matter what it takes. But before he can, he disappears. With his brother injured, Rhodry is next in line to rule. As Deverry’s peace hanging in the balance, the king lifts Rhodry’s exile and bids him return home before it is too late. And so it falls to Jill to save the land and the man she loves. Though her magic is strong, this challenge will test her utterly: for there are those who would see Rhodry gone forever and the fragile peace of the kingdom broken at last. Dawnspell is the third book in the Deverry series. Prepare to be spellbound by a sparkling fantasy classic: a tale of adventure and timeless love, perilous battle and pure magic.

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KATHARINE KERR

Dawnspell

The Bristling Wood

For the profit of kins, well did he attack the hosts of the

country, the bristling wood of spears, the grievous

flood of the enemy…

The Gododdin of Aneirin, Stanza A84


Voyager An Imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.voyager-books.com

Previously published in paperback by Grafton 1990 reprinted six times and by HarperCollins Science Fiction & Fantasy 1993 reprinted two times

First published in Great Britain by GraftonBooks 1989

Copyright © Katharine Kerr 1989

Cover design and illustration by Micaela Alcaino © HarperCollinsPublishers Ltd 2019

The Author asserts the moral right to be identified as the author of this work

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Ebook Edition © July 2019 ISBN 9780007404384

Version: 2019-07-15

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In memoriam

Raymond Earle Kerr, Jr, 1917–87,

an officer and a gentleman

The language spoken in Deverry is a member of the P-Celtic family. Although closely related to Welsh, Cornish, and Breton, it is by no means identical to any of these actual languages and should never be taken as such.

Vowels are divided by Deverry scribes into two classes: noble and common. Nobles have two pronunciations; commons, one.

A as in father when long; a shorter version of the same sound, as in far, when short.

O as in bone when long; as in pot when short.

W as the oo in spook when long; as in roof when short. Y as the i in machine when long; as the e in butter when short.

E as in pen.

I as in pin.

U as in pun.

Vowels are generally long in stressed syllables; short in unstressed. Y is the primary exception to this rule. When it appears as the last letter of a word, it is always long, whether that syllable is stressed or not.

Diphthongs generally have one consistent pronunciation:

AE as the a in mane.

AI as in aisle.

AU as the ow in how.

EO as a combination of eh and oh.

EW as in Welsh, a combination of eh and oo.

IE as in pier.

OE as the oy in boy.

UI as the North Welsh wy, a combination of oo and ee. Note that OI is never a diphthong, but is two distinct sounds, as in carnoic (KAR-noh-ik).

Consonants are mostly the same as in English, with these exceptions:

C is always hard as in cat.

G is always hard as in get.

DD is the voiced th as in thin or breathe, but the voicing is more pronounced than in English. It is opposed to TH, the unvoiced sound as in breath. (This is the sound that the Greeks called the Celtic tau.)

R is heavily rolled.

RH is a voiceless R, approximately pronounced as if it were spelled hr in Deverry proper. In Eldidd, the sound is fast becoming indistinguishable from R.

DW, GW, and TW are single sounds, as in Gwendolen or twit.

Y is never a consonant.

I before a vowel at the beginning of a word is consonantal, as it is in the plural ending -ion, pronounced yawn.

Doubled consonants are both sounded clearly, unlike in English. Note, however, that DD is a single letter, not a doubled consonant.

Accent is generally on the penultimate syllable, but compound words and place-names are often an exception to this rule.

I have used this system of transcription for the Bardekian and Elvish alphabets as well as the Deverrian, which is, of course, based on the Greek rather than the Roman model. On the whole it works quite well for the Bardekian, at least. As for Elvish, in a work of this sort it would be ridiculous to resort to the elaborate apparatus by which scholars attempt to transcribe that most subtle and nuanced of tongues. Since the human ear cannot even distinguish between such sound-pairings as B> and B<, I see no reason to confuse the human eye with them. I do owe many thanks to the various elven native speakers who have suggested which consonant to choose in confusing cases and who have laboured, alas, often in vain, to refine my ear to the elven vowel system.



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