Dead Beat

Dead Beat
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‘This is crime writing of the very highest order … Kate Brannigan has turned into the most interesting sleuthess around’ The TimesDead Beat introduces Kate Brannigan, a female private detective who does for Manchester what V.I. Warshawski has done for Chicago.As a favour, Kate agrees to track down a missing songwriter, Moira Pollock, a search that takes her into some of the seediest parts of Leeds and Bradford. But little does she realize that finding Moira is a prelude to murder…

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VAL McDERMID

DEAD BEAT


Published by HarperCollinsPublishers

77-85 Fulham Palace Road,

Hammersmith, London W6 8JB

www.harpercollins.co.uk

First published in Great Britain by Victor Gollancz 1992 and Orion Books Ltd 1999

Copyright © Val McDermid 1992

Val McDermid asserts the moral right to be identified as the author of this work

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or here in after invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007142910

Ebook Edition © JUNE 2014 ISBN: 9780007327645

Version: 2014-09-05

For Lisanne and Jane; can we just tell them that, then, darlings?

I swear one day I’ll kill him. Kill who? The man next door, Richard Barclay, rock journalist and overgrown schoolboy, is who. I had stumbled wearily across the threshold of my bungalow, craving nothing more exotic than a few hours’ sleep when I found Richard’s message. When I say found, I use the term loosely. I could hardly have missed it. He’d sellotaped it to the inside of my glass inner door so that it would be the first thing I saw when I entered the storm porch. It glared luridly at me, looking like a child’s note to Santa, written in sprawling capitals with magic marker on the back of a record company press release. ‘Don’t forget Jett’s gig and party afterwards tonight. Vital you’re there. See you at eight.’ Vital was underlined three times, but it was that ‘Don’t forget’ that made my hands twitch into a stranglehold.

Richard and I have been lovers for only nine months, but I’ve already learned to speak his language. I could write the Berlitz phrasebook. The official translation of ‘don’t forget’ is, ‘I omitted to mention to you that I had committed us to going somewhere/doing something (that you will almost certainly hate the idea of) and if you don’t come it will cause me major social embarrassment.’

I pulled the note off the door, sighing deeply when I saw the sellotape marks on the glass. I’d weaned him off drawing pins, but unfortunately I hadn’t yet got him on to Blu-Tack. I walked up the narrow hall to the telephone table. The house diary where Richard and I are both supposed to record details of anything mutually relevant lay open. In today’s space, Richard had written, in black felt-tip pen, ‘Jett: Apollo then Holiday Inn’. Even though he’d used a different pen from his note, it didn’t fool the carefully cultivated memory skills of Kate Brannigan, Private Investigator. I knew that message hadn’t been there when I’d staggered out an hour before dawn to continue my surveillance of a pair of counterfeiters.

I muttered childish curses under my breath as I made my way through to my bedroom and quickly peeled off my nondescript duvet jacket and jogging suit. ‘I hope his rabbits die and all his matches get wet. And I hope he can’t get the lid off the mayo after he’s made the chicken sandwich,’ I swore as I headed for the bathroom and stepped gratefully under a hot shower.

That’s when the self-pitying tears slowly squeezed themselves under my defences and down my cheeks. In the shower no one can see you weep. I offer that up as one of the great twentieth-century aphorisms, right up there alongside ‘Love means never having to say you’re sorry’. Mostly, my tears were sheer exhaustion. For the last two weeks I’d been working on a case that had involved driving from one end of the country to the other on an almost daily basis, staking out houses and warehouses from the hours before dawn till past midnight, and living on snatched sandwiches from motorway service stations and greasy spoons my mother would have phoned the environmental health inspectors about.



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