Double Fault

Double Fault
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‘When feminism has become the politics that dare not speak its name, it is refreshing to find an author who will bring such renewed vigour to the gender wars’ Guardian“Love me, love my game,” says professional tennis player Willy Novinsky at twenty-three. Tennis has been Willy’s one love, until she meets the uncannily confident Eric Oberdorf. Low-ranked but untested, Eric, too, aims to make his mark on the international tennis circuit.They marry. But their life together soon grows poisoned by full-tilt competition over which spouse can rise to the top first. Willy discovers that her perfect partner may also prove her most devastating opponent.An unflinching look at the ravages of rivalry in the two-career relationship, Double Fault is not so much about tennis as about marriage—a slightly different sport.

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The Borough Press

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2017

First published by HarperCollinsPublishers 2017

Copyright © Lionel Shriver 1997

Cover design by Stuart Bache © HarperCollinsPublishers Ltd 2017

Cover photographs © Shutterstock.com

Lionel Shriver asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Source ISBN: 9780008209773

Ebook Edition © June 2017 ISBN: 9780008209780

Version: 2017-04-06

‘A brilliant tale of doomed love’

Observer

‘The scenes between Willy and Eric are terrific pieces of writing: the dialogue crackles with rage, frustration and bitterness’

Independent

‘That Shriver refuses to avert her gaze, much less sweeten the pill, is what makes her such an interesting writer. She does not coax, or wheedle: she challenges. She makes you think’

Daily Telegraph

‘Shriver is a truly remarkable star in the literary firmament. She has an uncanny sense of the way women subject themselves to secret, inward torture, weighing themselves down with passionate feelings they believe socially unacceptable to bring out in the open … I doubt there is any thoughtful woman who does not recognise herself somewhere in Shriver’s writing’

LISA JARDINE, Financial Times

‘The characters and situations are utterly convincing and the level of detail in the narrative provides a ghastly gossipy pleasure’

LESLEY GLAISTER

‘Shriver doesn’t care whether her characters are likeable or not: they play off one another’s strengths and weaknesses in a mesmerizing grudge match’

Saga

‘With prose as taut as a well-strung racquet, you’ll be captivated’

Marie Claire

‘Her writing is as precise and devastating as a Federer forehand’

Belfast Telegraph

‘When feminism has become the politics that dare not speak its name, it is refreshing to find an author who will bring such renewed vigour to the gender wars’

Guardian

‘Her exploration of her characters is so fearless that although readers may not sympathise with her, they’ll understand why she’s driven to destroy what she loves’

Metro

To Jonathan

Whose real name I may use so rarely to save it for special occasions.

Dedicated in the fervent hope that we will confine this plot to paper.

‘Rarely do you get something if you want it too much.

There isn’t a tennis player in the world who

can’t tell when an opponent is frightened.’

TED TINLING

In the interests of storytelling, the tennis ranking system has been simplified in this novel. Readers curious about the complexities of national versus international rankings, or the WTA versus Virginia Slims computers, should consult the copious nonfiction on the subject. A few additional liberties have been taken, for Double Fault is not so much about tennis as marriage, a slightly different sport.

At the top of the toss, the ball paused, weightless. Willy’s arm dangled slack behind her back. The serve was into the sun, which at its apex the tennis ball perfectly eclipsed. A corona blazed on the ball’s circumference, etching a ring on Willy’s retina that would blind-spot the rest of the point.

Thwack. Little matter, about the sun. The serve sang down the middle and sped, unmolested, to ching into a diamond of the chain-link fence. Randy wrestled with the Penn-4. It gave him something to do.

Willy blinked. “Never look at the sun” had been a running admonition in her childhood. Typical, from her parents: avert your eyes from glory, shy from the bright and molten, as if you might melt.

A rustle of leaves drew Willy’s gaze outside the fence to her left. Because the ball’s flaming corona was still burned into her vision, the stranger’s face, when she found it, was surrounded by a purple ring, as if circled for her inspection with a violet marker. His fingers hooked the galvanized wire. He had predatory eyes and a bent smile of unnerving patience, like a lazy lion who would wait all day in the shade for supper to walk by. Though his hairline was receding, the lanky man was young, yet still too white to be one of the boys from nearby Harlem scavenging strays for stickball. He must have been searching the underbrush for his own errant ball; he had stopped to watch her play.



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