Family Tree

Family Tree
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A heartwarming novel from the New York Times bestselling author. Perfect for fans of Jo Thomas and Sarah Morgan.Annie Rush seems to have it all, a handsome husband and their fabulous life in Manhattan. But all of that is snatched away when she is involved is a life-changing accident. Awakening from a coma a year later, Annie finds that the life she knew has crumbled away.In the throes of grief, Annie grasps her new reality – she has to start over from scratch, which means heading home. Annie couldn’t wait to escape the small town where she grew up, but now she finds herself warming to the close-knit community and its homespun values.There’s also a face from the distant past − Donovan Lynch − and all the reasons she’s never quite forgotten him come flooding back. Annie expects to pull herself together and return to the city, but fate has other plans …

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Harper

An imprint of HarperCollinsPublishers Ltd

The News Building

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2016

Copyright © Susan Wiggs 2016

Cover design by Cherie Chapman © HarperCollinsPublishers Ltd 2016

Cover images © iStock (house); Shutterstock.com (all other images)

Susan Wiggs asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © July 2016 ISBN: 9780008151300

Version: 2016-06-25

In memory of my dad, Nick Klist —with deepest gratitude for all the love, the courage, the laughter, and the wisdom of a lifetime. He lives in the hearts of those who loved him.


Now

I can’t believe we’re arguing about a water buffalo.” Annie Rush reached for her husband’s shirt collar, turning it neatly down.

“Then let’s quit arguing,” he said. “It’s a done deal.” He sat down and shoved first one foot, then the other, into his cowboy boots—the ridiculously expensive ones she had given him last Christmas. She’d never regretted the purchase, though, because they looked so good on him.

“It’s not a done deal. We can still cancel. The budget for the show is already stretched to the limit. And a water buffalo? It’s going to be fifteen hundred pounds of stubborn.”

“C’mon, babe.” Martin stood, his blue eyes twinkling like the sun on a swimming pool. “Working with a live animal on the show will be an adventure. The viewers will love it.”

She blew out a breath in exasperation. Married couples fought about the dumbest things. Who left the cap off the toothpaste? Whether it was quicker to take the Ventura Freeway or the Golden State. The number of syllables in broccoli. The optimum thermostat setting. Why he couldn’t clean his whiskers out of the sink.

And now this. The water buffalo.

“Where in my job description does it say water-buffalo wrangler?” she asked.

“The buffalo’s an integral part of the show.” He gathered up his keys and briefcase and went downstairs, boots ringing on the hardwood.

“It’s a crazy misuse of the production budget,” she stated, following him. “This is a cooking show, not Wild Kingdom.”

“It’s The Key Ingredient,” he countered. “And when the ingredient of the week is mozzarella, we need a buffalo.”

Annie gritted her teeth to keep from prolonging the fight. She reminded herself that underneath the fight was their marriage. Even at fifteen hundred pounds, the buffalo was a small thing. It was the big things that mattered—his effortless way of chopping garlic and chives as he cooked for her. His dedication to the show they had created together. The steamy shower sex they’d had the night before.

“It’s gonna be great,” he said. “Trust me.” Slipping one arm around her waist, he claimed a brief kiss.

Annie reached up and touched his freshly shaven cheek. The last thing she needed was a dispute with Martin. He had no sense of the oddity of his idea. He had always believed the show owed its appeal to the outlandish. She was equally convinced that the success of their show stemmed from its authenticity. That, and a talented chef whose looks and charisma held an audience spellbound for an hour each week.

“I trust,” she whispered, rising on tiptoe for another kiss. He was the star of the show, after all. He had the ear of the executive producer, and was used to getting his way. The details, he left to Annie—his wife, his partner, his producer. It was up to her to make things happen.

With the argument still ringing through her head, she braced her hands on the sill of the window overlooking the garden of their town house. She had a million things to do today, starting with the People magazine interview—a behind-the-scenes piece about the show.

A window washer was preparing to climb a scaffold and get to work. Martin passed by on his way to the garage, pausing to say something to the worker, who grinned and nodded. Charming Martin.



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