One Last Summer at Hideaway Bay: A gripping romantic read with an ending you won’t see coming!

One Last Summer at Hideaway Bay: A gripping romantic read with an ending you won’t see coming!
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Secrets lie waiting beneath the Cornish waves in this moving and unforgettable love story. The perfect summer holiday read for fans of JoJo Moyes.Lucy, hi. It’s Tom. How are you? It’s been a while. I’ve been meaning to get in touch but it’s hard to know how to after so much time. I hear you’re doing really well up there. I knew you would be.You should come here, you know, back to Hideaway bay. Come and see everyone, see how little it’s all changed. Feel the sand between your toes, the Cornish sea breeze on your face. When the sun hits the surf in that way it does, it’s as magical as ever.That’s why I’m writing to you, actually. I want to get the gang back together again, one last time before…well…just one last time. You should come too. The four of us, a summer on the beach, like old times. We all want you here for it. I want you here for it. It’s been so long since I saw you.I still think about you.TomWhat readers are saying about Zoe Cook:‘Simply gorgeous’ Bookaholic Holly‘A stunning debut…heartbreaking yet life-affirming’ Laura Bambrey Books‘A real weepie with a lovely if bittersweet ending’ Kitty Loves Books‘This book had it all: humour, cuteness, stunning setting, sadness, love, secrets, friendship’ Alba in Bookland

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ZOE COOK

One Last Summer at Hideaway Bay


A division of HarperCollinsPublishers

www.harpercollins.co.uk

HarperImpulse an imprint of

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperImpulse 2016

Copyright © Zoe Cook 2016

Cover images © Shutterstock.com

Cover layout design © HarperCollinsPublishers 2016

Cover design by Alex Allden

Zoe Cook asserts the moral right to

be identified as the author of this work

A catalogue record for this book

is available from the British Library

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are

the work of the author’s imagination. Any resemblance to

actual persons, living or dead, events or localities is

entirely coincidental.

All rights reserved under International

and Pan-American Copyright Conventions.

By payment of the required fees, you have been granted

the non-exclusive, non-transferable right to access

and read the text of this e-book on screen.

No part of this text may be reproduced, transmitted,

downloaded, decompiled, reverse engineered, or

stored in or introduced into any information storage and

retrieval system, in any form or by any means,

whether electronic or mechanical, now known or

hereinafter invented, without the express

written permission of HarperCollins.

Ebook Edition © July 2016 ISBN: 9780008194451

Version 2016-06-27

For James and Lara, the loves of my life.

September, 2005

Can you believe that after all these years I have to write this in a letter because I can’t say it to you, can’t get the words out right?

I know you think I’m running away. You’re probably right. But what do you think I have if I stay here? There are too many ghosts here, Tom, too many memories. It’s like walking around in my own nightmare sometimes, and it will drive me mad.

I wish we weren’t fighting about this. I don’t know what I expected you to think or to say about it all, but I didn’t expect you to be so angry with me. I feel like you’re taking it the wrong way. It’s not you I want to leave; it’s this place.

If you knew how many hours I’ve spent thinking about what the hell to do – honestly, the thought of being without you is unbearable. But I didn’t want to put you in this position, to do what I’m about to do now. I didn’t want to ask you to come with me, to leave everything you have here. This place means so much to you, and you have so many reasons to stay.

But I guess I am selfish, like you say I am. Because I want you to come with me, Tom. I can’t do the London thing on my own, I don’t want to. I don’t want a life that doesn’t have you in it. I can’t really see the point in that. Is that pathetic? You are everything that’s good in my life.

I know you’ll need time, but can you think about it? About coming with me? Starting a life away from here? It would be the adventure we’ve always talked about, wouldn’t it? I mean I know it’s not exactly South America or Thailand, but you know…

I’m doing that jokey thing you get cross with me for, aren’t I? Trivialising things because I’m nervous and awkward.

I’m rambling now. And I don’t even know if I’ll ever give this to you. Part of me thinks I should just go and leave you here to live your life without me. I think you might be better off that way. I want you to be happy, Tom. I love you more than words. If nothing else, I hope you always know that.

Lucy

London, July, 2010

Lucy tipped the white powder from a carefully folded lottery ticket onto the mirror of her compact. She scraped it into a neat line with her credit card and took the rolled bank note from the back of her wallet. She sniffed quickly and quietly, pausing for a second to feel the immediate hit of energy. She placed the folded paper and card in the zipped section of her purse, straightened herself up and walked out of the toilet cubicle back to her desk.

It was 5:55pm before Lucy had time to check her personal emails on Tuesday. Work was manic, as it always was in the lead-up to an awards ceremony. For Spectrum, the Screenies were the event of the year, a real prestige project and a massive money-spinner. The grand-scale, live-broadcast awards show at the Metropolis on Park Lane, which celebrated all things TV, dominated spring at Spectrum, with a huge production team recruited, doubling the number of people in the office for the months leading up to the show. Emma had too many meetings to fit into each day and, as her PA, it was Lucy’s job to make them all happen – somehow. Emma’s mood alternated between manic happiness at the prospect of an evening of guaranteed attention, and sudden bursts of furious disappointment at the team she employed to run Spectrum TV’s events. Lucy had mostly escaped her wrath, instead taking the role of confidante, which she actually felt even less comfortable with. Every time she was called into Emma’s office she dreaded the instruction to ‘close the door’, which signaled an imminent verbal assassination. Lucy hated how Emma dragged her into her bitter inner world of hatred towards the production team, most of whom had absolutely no idea they had done anything to upset her. Already this week she’d heard how angry Emma was with Frankie, the lovely associate producer working on the awards, because she’d cut her long hair short so close to the event.



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