Post Captain

Post Captain
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Patrick O’Brian’s Aubrey-Maturin tales are widely acknowledged to be the greatest series of historical novels ever written. Now, for the first time, they are available in electronic book format, so a whole new generation of readers can be swept away on the adventure of a lifetime. This is the second book in the series.Patrick O’Brian is regarded by many as the greatest historical novelist now writing. Post Captain, the second novel in his remarkable Aubrey/Maturin series, led Mary Renault to write: ‘Master and Commander raised dangerously high expectations; Post Captain triumphantly surpasses them.’This tale begins with Jack Aubrey arriving home from his exploits in the Mediterranean to find England at peace following the Treaty of Amiens. He and his friend Stephen Maturin, surgeon and secret agent, begin to live the lives of country gentlemen, hunting, entertaining and enjoying more amorous adventures. Their comfortable existence, however, is cut short when Jack is overnight reduced to a pauper with enough debts to keep him in prison for life. He flees to the continent to seek refuge: instead he finds himself a hunted fugitive as Napoleon has ordered the internment of all Englishmen in France. Aubrey’s adventures in escaping from France and the debtors’ prison will grip the reader as fast as his unequalled actions at sea.

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PATRICK O’BRIAN

Post Captain


Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Collins 1972

Copyright © Patrick O’Brian 1972

Patrick O’Brian asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780006499169

Ebook Edition © 2011 ISBN: 9780007429295 Version: 2018-07-12

Dedication

FOR MARY, WITH LOVE

Contents

Cover

Title Page

Copyright

Dedication

Diagram of a Square-Rigged Ship

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Keep Reading

Patrick O’Brian – William Waldegrave

About the Author

The Works of Patrick O’Brian

About the Publisher

Diagram of a Square-Rigged Ship

The sails of a square-rigged ship, hung out to dry in a calm.


1 Flying jib

2 Jib

3 Fore topmast staysail

4 Fore staysail

5 Foresail, or course

6 Fore topsail

7 Fore topgallant

8 Mainstaysail

9 Main topmast staysail

10 Middle staysail

11 Main topgallant staysail

12 Mainsail, or course

13 Maintopsail

14 Main topgallant

15 Mizzen staysail

16 Mizzen topmast staysail

17 Mizzen topgallant staysail

18 Mizzen sail

19 Spanker

20 Mizzen topsail

21 Mizzen topgallant

Illustration source: Serres, Liber Nauticus. Courtesy of The Science and Technology Research Center, The New York Public Library, Astor, Lenox, and Tilden Foundation

Chapter One

At first dawn the swathes of rain drifting eastwards across the Channel parted long enough to show that the chase had altered course. The Charwell had been in her wake most of the night, running seven knots in spite of her foul bottom, and now they were not much above a mile and a half apart. The ship ahead was turning, turning, coming up into the wind; and the silence along the frigate’s decks took on a new quality as every man aboard saw her two rows of gun-ports come into view. This was the first clear sight they had had of her since the look-out hailed the deck in the growing darkness to report a ship hull-down on the horizon, one point on the larboard bow. She was then steering north-north-east, and it was the general opinion aboard the Charwell that she was either one of a scattered French convoy or an American blockade-runner hoping to reach Brest under cover of the moonless night.

Two minutes after that first hail the Charwell set her fore and main topgallants – no great spread of canvas, but then the frigate had had a long, wearing voyage from the West Indies: nine weeks out of sight of land, the equinoctial gales to strain her tired rigging to the breaking-point, three days of lying-to in the Bay of Biscay at its worst, and it was understandable that Captain Griffiths should wish to husband her a little. No cloud of sail, but even so she fetched the stranger’s wake within a couple of hours, and at four bells in the morning watch the Charwell cleared for action. The drum beat to quarters, the hammocks came racing up, piling into the nettings to form bulwarks, the guns were run out; and the warm, pink, sleepy watch below had been standing to them in the cold rain ever since – an hour and more to chill them to the bone.

Now in the silence of this discovery one of the crew of a gun in the waist could be heard explaining to a weak-eyed staring little man beside him, ‘She’s a French two-decker, mate. A seventy-four or an eighty: we’ve caught a tartar, mate.’

‘Silence there, God damn you,’ cried Captain Griffiths. ‘Mr Quarles, take that man’s name.’

Then the grey rain closed in. But at present everyone on the crowded quarterdeck knew what lay behind that drifting, formless veil: a French ship of the line, with both her rows of gun-ports open. And there was not one who had missed the slight movement of the yard that meant she was about to lay her foresail to the mast, heave to and wait for them.



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