The Carriage House

“No one does romantic suspense better!”

—New York Times bestselling author Janet Evanovich

“Neggers’s brisk pacing and colorful characterizations sweep the reader toward a dramatic and ultimately satisfying denouement.”

—Publishers Weekly on The Cabin

“These pages don’t just turn; they spin with the best of them.”

—BookPage on The Waterfall

“Suspense, romance and the rocky Maine coast—what more can a reader ask for? The Harbor has it all. Carla Neggers writes a story so vivid you can smell the salt air and feel the mist on your skin.”

—New York Times bestselling author Tess Gerritsen

“Tension-filled story line that grips the audience from start to finish.”

—Midwest Book Review on The Waterfall

“Carla Neggers is one of the most distinctive, talented writers of our genre.”

—New York Times bestselling author Debbie Macomber

“A well-defined, well-told story combines with well-written characters to make this an exciting read. Readers will enjoy it from beginning to end.”

—Romantic Times BOOKclub on The Waterfall

To Robyn Carr

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

On the day Ike Grantham disappeared, he missed an appointment with Tess Haviland, a Boston graphic designer and one of the few women who didn’t find him irresistible. She liked him, but over a year later, she still couldn’t explain why. He was blond, handsome, a risk-taker, outgoing to a fault, egalitarian and very determined not to fit the stereo-type of the serious, philanthropic-minded heir to a New England industrial fortune. He was without guilt or ambition, and there were days Tess thought he was without morals, too. Especially where women were concerned.

Except for her. “Tess,” he used to say, “you have too many men with guns in your life. I’m steering clear.”

She had no men with guns in her life. It just seemed that way because she’d grown up in a working-class neighborhood and her father owned a pub. Ike wasn’t without stereotypes of his own.

He was on her mind not just because it had been over a year since he’d taken off without a word, but because she’d just received the real estate tax bill for the carriage house he’d given her in lieu of a check. It was an 1868 carriage house on a small lot practically across the street from the ocean, within walking distance of one of the prettiest villages on the North Shore. The structure itself wasn’t much. The location was. This was reflected in the property’s value—and in her tax bill.

Tess stared down at the Old Granary Burial Ground four floors beneath her Beacon Street office. Thin, old tombstones tilted in different directions, and tourists crept along the paths in the lush shade, the tall trees filled out with leaves now, the long hard Boston winter finally over.

It had been a nose-to-the-grindstone winter. She’d left a secure corporate job to go out on her own early last year, just before Ike had bowed out of her life as abruptly as he’d barged in. Sometimes she wondered if he’d infected her—not romantically, but in creating a sense of urgency in her, so that the “someday” she’d go out on her own became something she had to do now. She’d been doing work for his Beacon Historic Project on the side, and before she knew it, she was hanging out her shingle. She’d worked out of her apartment for the first six months. Then, last fall, she and Susanna Galway decided to rent an office together in a late-nineteenth-century building on Beacon Street, a prestigious address. They had one room on the fourth floor, overlooking the city’s most famous cemetery.

Tess turned from the window and looked at her friend. Susanna was tall and willowy, as dark as Tess was fair, with porcelain skin and eyes as green as the springtime grass down in Old Granary. She was also a financial planner, and Tess had only just told her about the carriage house. Susanna was at her desk, Tess’s tax bill laid out on her keyboard. Occasionally she’d emit a sigh that conveyed the utmost distress.

“This is why you’re an artist,” she said finally. “Damn, Tess. You always get paid in cash. It’s Rule One. If I’d been around to advise the Indians, do you think I’d have let them take beads for Manhattan? Hell, no.”

“I can sell it.”

“Who would buy it? It’s run-down. It’s on the flipping historic register. It’s on a minuscule lot. And, I might add—” She swiveled around in her expensive ergonomic chair, zeroing in on her office mate and friend with those piercing green eyes. “I might add that the place is haunted.”

“That’s just a rumor.”

“And not haunted by Casper the Friendly Ghost. Your ghost is a convicted murderer.”

Tess dropped into her own chair at her computer. She did a great deal of her work, but not all, by computer. She still had an easel, oil pastels, drawing pencils, watercolors. She liked to touch and feel what she created, not just see it on a computer screen. Her screen was blank now, her computer in sleep mode. Her U-shaped work area, stacked and overflowing with samples, files, invoices, work in progress, wasn’t as tidy and uncluttered as Susanna’s. They were yin and yang, she liked to tell her more artistic friends. That was why they could work in the same space without killing each other.