Praise for the novels of
SUSAN WIGGS
âWiggs is one of our best observers of stories of the heart. Maybe that is because she knows how to capture emotion on virtually every page of every book.â
âSalem Statesman-Journal
âThe Charm School draws readers in with delightful characters, engaging dialogue, humor, emotion and sizzling sensuality.â
âCosta Mesa Sunday Times
âWill appeal to fans across the board.â
âLibrary Journal on The Charm School
â[A] delightful rompâ¦With its lively prose, well-developed conflict and passionate characters, this enjoyable, poignant tale is certain to enchant.â
âPublishers Weekly on Halfway to Heaven
âA bold, humorous and poignant romance that fulfills every womanâs dreams.â
âChristina Dodd on Enchanted Afternoon
âA rare treat.â
âAmazon.com on The Firebrand, an Amazon.com Best of 2001 title
âWith this final installment of Wiggsâs Chicago Fire trilogy, she has created a quiet page-turner that will hold readers spellbound as the relationships, characters and story unfold. Fans of historical romances will naturally flock to this skillfully executed trilogy, and general womenâs fiction readers should find this story enchanting as well.â
âPublishers Weekly on The Firebrand
âWiggsâs uncomplicated stories are rich with life lessons, nod-along moments and characters with whom readers can easily relate. Delightful and wise, Wiggsâs latest shines.â
âPublishers Weekly on Dockside
âEmpathetic protagonists, interesting secondary characters, well-written flashbacks, and delicious recipes add depth to this touching, complex romance.â
âLibrary Journal on The Winter Lodge
âWith the ease of a master, Wiggs introduces complicated, flesh-and-blood characters into her idyllic but identifiable small-town setting, sets in motion a refreshingly honest romance, resolves old issues and even finds room for a little mystery.â
âPublishers Weekly on The Winter Lodge (starred review)
âWiggs explores many aspects of grief, from guilt to anger to regret, imbuing her book with the classic wouldâve/couldâve/ shouldâve emotions, and presenting realistic and sympathetic charactersâ¦. Another excellent title [in] her already outstanding body of work.â
âBooklist on Table for Five (starred review)
âA human and multilayered story exploring duty to both country and family.â
âNora Roberts on The Ocean Between Us
Mockjack Bay, Virginia
April 1854
Hunter Calhoun started drinking early that day. Yet the sweet fire of the clear, sharp whiskey failed to bring on the oblivion he thirsted for. Lord above, he needed that blurred, blissful state. Needed to feel nothing for a while. Because what he felt was a lot worse than nothing.
Gazing out a window at the sluggish, glass-still waters of the bay, he noticed that the buoy was sinking and a few more planks had rotted off the dock. The plantation had no proper harbor but a decent anchorageânot that it mattered now.
âThat poor Hunter Calhoun,â folks called him when they thought he was too drunk to notice. They always spoke of him with a mixture of pity and reliefâpity, that the misfortune had happened to him, and relief, that it had not happened to them. In general, women thought it romantic and tragic that heâd lost his wife in such a spectacular fashion; the men were slightly disdainful and superiorâtheyâd never let that sort of disaster befall their womenfolk.
Calhoun glared down into his whiskey glass, willing the amber liquid to numb him before he talked himself out of what he knew he must do. He experienced a strange, whimsical fantasy: the whiskey was a pool he could dive into, headfirst. If the ocean was whiskey and I was a duck, Iâd swim to the bottom and never come up.