The Invention of Fire

The Invention of Fire
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The richly atmospheric new historical thriller featuring John Gower, poet and trader of secrets. Set in the turbulent 14th Century, this is perfect for fans of C. J. Sansom.London, 1386: young King Richard II faces the double threat of a French invasion and growing unrest amongst his barons – and now there's evil afoot in the City. Sixteen corpses have been discovered in a sewer, their wounds like none ever seen before. One thing is clear: whoever threw the bodies into the sewer knew they would be found – and was powerful enough not to care.Enter John Gower, poet and intellectual whose 'peculiar vocation' is dealing in men's secrets. Against the backdrop of medieval London with its grand palaces and churches, dark alleys and mean backstreets, Gower pursues his dangerous quarry. Seeking insights from his friend Geoffrey Chaucer and using his network of contacts, Gower comes to the shocking belief that the men have been killed by a new and deadly weapon of war.Known as 'the handgonne', it would put untold power into the hands of whoever perfected its design. But who has commissioned this weapon? A man who would stop at nothing to achieve his secret goal.

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Harper

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London SE1 9GF

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First published by HarperCollinsPublishers 2015

Copyright © Bruce Holsinger 2015

Bruce Holsinger asserts the moral right to be identified as the author of this work

Map of London & Southwark © Nicolette Caven 2015

Cover layout design © HarperCollinsPublishers 2015

Lettering by Stephen Raw

Cover images © Shutterstock.com (textures)

A catalogue record for this book is available from the British Library

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Source ISBN: 9780007493364

Ebook Edition © FEBRUARY 2015 ISBN: 9780007493340

Version 2015-05-29

For Betsy and Bob

And in the autumn of that year, in the village of Desurennes, a company came from the woods with small guns of iron borne in their hands, and laid great waste to the market, to the wares and those who sold them along the walls, and in the eyes of God made wondrous calamity with fire and shot.

Le Troisième Chronique de Calais, entry for year 1386


The word handgun enters the English language in the final decades of the fourteenth century. The compound noun first appears in an inventory record from the Tower of London, occurring at the end of the phrase ‘iiij canones parue de cupro vocate handgonnes’ (‘four small copper cannon, called handgonnes’). These medieval handgonnes were metal tubes packed with gunpowder and fired with a burning coal or cord, a far cry from the sophisticated pistols and rifles found in modern arsenals. Yet across Europe, these decades witnessed unprecedented innovation and experimentation in the development of small arms, as gunpowder weapons grew increasingly portable, efficient, and thus terrifying. The emerging use of handgonnes on the battlefields of Europe, as well as their appearance in civilian contexts, marked a crucial technological shift in the development of weaponry – as well as a subtle but profound transformation in the long history of human atrocity.


The water seeped past, groping for the dead.

It was early on an Ember Saturday, and low down along the deepest channel in London Alan Pike braced for a fall. He sucked a shallow breath as beside him his son moved through the devilish swill. The boy’s arms were thin as sticks but lifted his full spade with a ready effort, even a kind of cheer. Good worker, young Tom, a half knob shy of fourteen, reliable, strong, uncomplaining, despite all a gongfarmer has to moan about – and that’s a heavy lot it is, down here in the privy channels, moving the foul of thousands, helping the city streams breathe easy. Tom filled another bucket and hefted it to one of the older boys to haul above for the dungcart. From there it would be wheeled outside the walls, likely to feed some bishop’s roses.

Night soil, the mayor’s men primly called it, though it had commoner names. Dung and gong, fex and flux, turd and purge and shit. Alan Pike and his crew, they called it hard work and wages.

Dark work, mostly, as London don’t like its underbelly ripped open to the sun, so here he was with his fellows, a full four hours after the curfew bell, working in the calm quiet a few leaps down from the loudest, busiest crossing in London. The junction of Broad Street, Cornhill and the Poultry, the stocks market, and everything else. The brassy navel of the city by day; a squalid gut in the night.



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