What's Left?: How Liberals Lost Their Way

What's Left?: How Liberals Lost Their Way
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From the much-loved, witty and excoriating voice of journalist Nick Cohen, a powerful and irreverent dissection of the agonies, idiocies and compromises of mainstream liberal thought.Nick Cohen comes from the Left. While growing up, his mother would search the supermarket shelves for politically reputable citrus fruit and despair. When, at the age of 13, he found out that his kind and thoughtful English teacher voted Conservative, he nearly fell off his chair: 'To be good, you had to be on the Left.'Today he's no less confused. When he looks around him, in the aftermath of the invasion of Iraq, he sees a community of Left-leaning liberals standing on their heads. Why is it that apologies for a militant Islam that stands for everything the liberal-Left is against come from a section of the Left? After the American and British wars in Bosnia and Kosovo against Slobodan Milosevic's ethnic cleansers, why were men and women of the Left denying the existence of Serb concentration camps? Why is Palestine a cause for the liberal-Left, but not, for instance, China, the Sudan, Zimbabwe or North Korea? Why can't those who say they support the Palestinian cause tell you what type of Palestine they would like to see? After the 9/11 attacks on New York and Washington why were you as likely to read that a sinister conspiracy of Jews controlled American or British foreign policy in a liberal literary journal as in a neo-Nazi rag? It's easy to know what the Left is fighting against – the evils of Bush and corporations – but what and, more to the point, who are they fighting for?As he tours the follies of the Left, Nick Cohen asks us to reconsider what it means to be liberal in this confused and topsy-turvy time. With the angry satire of Swift, he reclaims the values of democracy and solidarity that united the movement against fascism, and asks: What's Left?

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NICK COHEN

What’s Left?

HOW LIBERALS LOST THEIR WAY


Fourth Estate

An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition published by Harper Perennial 2007

First published in Great Britain by Fourth Estate in 2007

Copyright © Nick Cohen 2007

Nick Cohen asserts the moral right to

be identified as the author of this work

A catalogue record for this book is

available from the British Library

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Source ISBN 9780007229703

Ebook Edition © JANUARY 2013 ISBN 9780007370030

Version 2015-06-12

In memory of Hadi Saleh,

the last of the socialists

(1949 to 2005)

Lest we should see where we are, Lost in a haunted wood, Children afraid of the nightWho have never been happy or good.

W. H. Auden

IN THE EARLY SEVENTIES, my mother searched the supermarkets for politically reputable citrus fruit. She couldn’t buy Seville oranges without indirectly subsidizing General Francisco Franco, Spain’s fascist dictator. Algarve oranges were no good either because the slightly less gruesome but equally right-wing dictatorship of António Salazar ruled Portugal. She boycotted the piles of Outspan from South Africa as a protest against apartheid, and although neither America nor Israel was a dictatorship, she wouldn’t have Florida or Jaffa oranges in the house because she had no time for the then American President, Richard Nixon, or the Israeli occupation of the West Bank and Gaza.

My sisters and I did not know it, but when Franco fell ill in 1975, we were in a race to the death. Either he died of Parkinson’s disease or we died of scurvy. Luckily for us and the peoples of Spain, the dictator went first, although he took an unconscionably long time about it.

Thirty years later, I picked up my mother from my sister Natalie’s house. Her children were watching a Disney film; The Jungle Book, I think.

‘It’s funny, Mum,’ I said as we drove home, ‘but I don’t remember seeing any Disney when I was their age.’

‘You’ve only just noticed? We didn’t let you watch rubbish from Hollywood corporations.’

‘Ah.’

‘We didn’t buy you the Beano either.’

‘For God’s sake, Mum, what on earth was wrong with the Beano?’

‘It was printed by D. C. Thomson, non-union firm.’

‘Right,’ I said.

I was about to mock her but remembered that I had not allowed my son to watch television, even though he was nearly three at the time. I will let him read the Beano when he is older – I spoil him, I know – but if its cartoonists were to down their crayons and demand fraternal support, I would probably make him join the picket line and boycott it as well.

I come from a land where you can sell out by buying a comic. I come from the Left.

I’m not complaining, I had a very happy childhood. Conservatives would call my parents ‘politically correct’, but there was nothing sour or pinched about their home, and there is a lot to be said for growing up in a political household in which everyday decisions about what to buy and what to reject have a moral quality.

At the time, I thought it was normal and assumed that all civilized people lived the same way. I still remember the sense of dislocation I felt at 13 when my English teacher told me he voted Conservative. As his announcement coincided with the shock of puberty, I was unlikely to forget it. I must have understood at some level that real Conservatives lived in Britain – there was a Conservative government at the time, so logic dictated that there had to be Conservative voters. But it was incredible to learn that my teacher was one of them when he gave every appearance of being a thoughtful and kind man. To be good you had to be on the Left.



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