âDo you have to leave?â
âSanto, pleaseâ¦I have to think about my career. Can weâ¦â
âI meant, do you have to leave the room?â
âYou didnât mean that.â Usually she rebuffed any flirting easily; it was just a little harder to do this morning and not just because they were on a bed in a very dark room, more because she felt as if she had glimpsed today the real Santo, the one behind the very expensive but very shallow façade.
âRemember how you told me you would never get involved with someone you work withâ¦â
âI do.â
Her second day at work, they had gone for dinner, had sat side by side and pored over his diary, Ella trying to be efficient but terribly aware of his beauty, trying to ignore it, trying to work when his hand had reached for her face.
âIf you try anything like that again, youâll have my notice with immediate effect.â
How she rued those words now.
âWe have a problem.â Santo said and she looked at him and, though it was terribly hard to think of Santo and morals at the same time, Ella realised he did actually have some; for apart from a few stunning suggestions, apart from the odd gentle flirt, not once since that day had he put so much as a finger wrong.
She just wanted him to put that finger wrong now.
And he did. Just one finger dusted her forearm and Santo waited for her hand to halt his, gave her every opportunity to stand, to change her mind. Sheâd been very clear as to her boundaries, but his breath stilled as he felt them tumble down.
CAROL MARINELLI finds writing a bio rather like writing her New Yearâs Resolutions. Oh, sheâd love to say that since she wrote the last one, she now goes to the gym regularly and doesnât stop for coffee and cake and a gossip afterwards; that sheâs incredibly organised and writes for a few productive hours a day after tidying her immaculate house and a brisk walk with the dog.
The reality is, Carol spends an inordinate amount of time daydreaming about dark, brooding men and exotic places (research), which doesnât leave too much time for the gym, housework or anything that comes in between. Her most productive writing hours happen to be in the middle of the night, which leaves her in a constant state of bewildered exhaustion.
Originally from England, Carol now lives in Melbourne, Australia. She adores going back to the UK for a visitâactually, she adores going anywhere for a visitâand constantly (expensively) strives to overcome her fear of flying. She has three gorgeous children who are growing up so fast (too fastâtheyâve just worked out that she lies about her age!) and keep her busy with a never-ending round of homework, sport and friends coming over.
A nurse and a writer, Carol writes for the Mills & Boon>® Modern>⢠and Medical Romance>⢠lines and is passionate about both. She loves the fast-paced, busy setting of a modern hospital, but every now and then admits itâs bliss to escape to the glamorous, alluring world of her Modern heroes and heroines. A bit like her real life, actually!
âPLEASE.â
Ella wasnât sure how many times that word had been said to her in the past, but she knew that she would forever recall this time.
âPlease, Ella, donât go.â
She stood at the departure terminal of the busy Sydney International Airport, passport and boarding pass in hand, and looked into her motherâs pleading eyesâthe same amber eyes as her ownâand she almost relented. How could she possibly leave her to deal with her father alone?
But, given all that had happened, how could she stay?
âYou have a beautiful homeâ¦.â
âNo!â Ella would not be swayed. âI have a flat that I bought in the hope that you would move in with me. I thought that youâd finally decide to leave him, and yet you wonât.â
âI canât.â
âYou can.â Ella stood firm. âI have done everything to help you leave and yet you still refuse.â
âHeâs my husband.â
âAnd Iâm your daughter.â Ellaâs eyes flashed with suppressed anger. âHe beat me, Mum!â
âBecause you upset him. Because you try to get me to leaveâ¦â Her mother had been in Australia for more than thirty years, was married to an Australian, and yet her English was still poor. Ella knew that she could stand here and argue her point some more, but there wasnât time for that. Instead she said the words she had planned to say and gave her mother one final chance to leave. âCome with me.â
Then Ella handed her mother the ticket she had secretly purchased.
âHow?â
âIâve brought your passport with me.â Ella pulled it out of her bag and handed it to her mother to show that she was serious and that she really had thought this through. âYou can walk away now, Mum. You can go back to Sicily and be with your sisters. You can have a lifeâ¦.â She saw her mother wrestle with the decision. She missed her country so much, spoke about her sisters all the time, and if she would just have the courage to walk away then Ella would help her in any way that she could.