She glanced back over her shoulder, smiling, face half hidden by the hood of her cloak. No words, just the beckoning smile, part innocence, all invitation. His breath came in hard and fast as he reached for her, touched the billowing cloakâ¦His fingers passed through it like smoke, and with a soundless sigh the cloak dissolved, taking with it the fading vision as he lunged forward. He tried to cry out but could not. And there was nothing except loss and yearningâ¦
He awoke into darkness with a jolt, his breath shuddering as he sat bolt upright. Heâd had a hell of a dream; at least he thought he must have. Sweat cooled on his body and his heart hammered. Yes. Something about a cloak. Onlyâ¦he couldnât remember. Just that he had dreamedâ¦that he had wanted something and it had been taken from him. The cloak had taken itâ¦or had he lost it? He lay down again and closed his eyes. As he drifted back toward sleep the thought flickeredâ¦something? Or someone?
Evelyn Fitzhugh, Viscount St. Austell, stared mutely at the murals adorning the bedchamber walls of his Grosvenor Square mansion. A line from Lionel Trehearneâs letter asking for the commission sprang to his mind: You may find, my lord, that the style of these pictures differs somewhat from your expectations.
Heâd been so shamed by that cold âmy lordâ that heâd scarce noted the content. My lordâ¦from Lionel of all men. And the letter signed with a cool Trehearne. He deserved it, though, for what heâd done, so Evelyn had swallowed it with as good a grace as might be, and gone ahead with the commission. Despite the gulf of class between them, son and heir of a viscount and son of a schoolmaster, Lionel had been like an elder brother to him once, and Evelyn had repaid that with a betrayal of trust so base that even now he burned with shame to think of it. Youth might explain folly; it did not excuse a failure of honor.
Now, faced with the murals he had commissioned, he recalled the content of that letter; Lionelâs style had changed. Fundamentally. Oh, the technique was recognisably his, the same economy of line that suggested shape and bulk with a few simple strokes of charcoal. But six years ago Lionelâs work, while brilliant, had not left Evelyn this short of breath. Yes, it had been erotic, but thisâthis aching sensualityâwas new. He swallowed, looking again at the slender nymph gracing his bedchamber walls. Who was she? Only blocked and roughly sketched in charcoal as yet, even complete her identity would remain a mystery. In each of the five pictures her face was hidden, shadowed by a cloak in one as she looked back over her shoulderâ¦in farewell? Her back was turned in the next as she melted into her loverâs embrace and he bent to take her mouth. A veiling of soft tresses hid her face in the third paintingâhow, with only a few strokes, had Lionel conveyed the silken glory of her hairâ¦? Evelyn swallowed. Lionel had entitled that one