A Single Thread
FROM THE GLOBALLY BESTSELLING AUTHOR OF GIRL WITH A PEARL EARRING ‘Bittersweet … dazzling’ Guardian ‘Deeply pleasurable … the ending made me cry’ The Times ‘Told with a wealth of detail and narrative intensity’ Penelope Lively It is 1932, and the losses of the First World War are still keenly felt. Violet Speedwell, mourning for both her fiancé and her brother and regarded by society as a ‘surplus woman’ unlikely to marry, resolves to escape her suffocating mother and strike out alone. A new life awaits her in Winchester. Yes, it is one of draughty boarding-houses and sidelong glances at her naked ring finger from younger colleagues; but it is also a life gleaming with independence and opportunity. Violet falls in with the broderers, a disparate group of women charged with embroidering kneelers for the Cathedral, and is soon entwined in their lives and their secrets. As the almost unthinkable threat of a second Great War appears on the horizon Violet collects a few secrets of her own that could just change everything… Warm, vivid and beautifully orchestrated, A Single Thread reveals one of our finest modern writers at the peak of her powers.
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A SINGLE THREAD
Tracy Chevalier
The Borough Press
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 2019
Copyright © Tracy Chevalier 2019
“Love Is The Sweetest Thing” Words and Music by Ray Noble
Copyright © 1932 British & Dominion Films Corp.
Copyright Renewed
Published by Range Road Music and Bienstock Publishing Company o/b/o Redwood Music Ltd., rights administered by: Round Hill Carlin, LLC and by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved, reprinted by permission of Hal Leonard LLC
Cover photographs © Jasenka Arbanas/Arcangel Images (scissors) and Shutterstock.com (all other images)
Tracy Chevalier asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it, while at times based on historical events and figures, are the work of the author’s imagination.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008153816
Ebook Edition © SEPTEMBER 2019 ISBN: 9780008153830
Version: 2019-06-13
For Morag
Contents
Copyright
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Acknowledgements
About the Author
Also by Tracy Chevalier
About the Publisher
“SHHH!”
Violet Speedwell frowned. She did not need shushing; she had not said anything.
The shusher, an officious woman sporting a helmet of grey hair, had planted herself squarely in the archway that led into the choir, Violet’s favourite part of Winchester Cathedral. The choir was right in the centre of the building – the nave extending one way, the presbytery and retrochoir the other, the north and south transepts’ short arms fanning out on either side to complete the cross of the whole structure. The other parts of the Cathedral had their drawbacks: the nave was enormous, the aisles draughty, the transepts dark, the chapels too reverential, the retrochoir lonely. But the choir had a lower ceiling and carved wood stalls that made the space feel on a more human scale. It was luxurious but not too grand.
Violet peeked over the usher’s shoulder. She had only wanted to step in for a moment to look. The choir stalls of seats and benches and the adjacent presbytery seats seemed to be filled mostly with women – far more than she would expect on a Thursday afternoon. There must be a special service for something. It was the 19th of May 1932; St Dunstan’s Day, Dunstan being the patron saint of goldsmiths, known for famously fending off the Devil with a pair of tongs. But that was unlikely to draw so many Winchester women.
She studied the congregants she could see. Women always studied other women, and did so far more critically than men ever did. Men didn’t notice the run in their stocking, the lipstick on their teeth, the dated, outgrown haircut, the skirt that pulled unflatteringly across the hips, the paste earrings that were a touch too gaudy. Violet registered every flaw, and knew every flaw that was being noted about her. She could provide a list herself: hair too flat and neither one colour nor another; sloping shoulders fashionable back in Victorian times; eyes so deep-set you could barely see their blue; nose tending to red if she was too hot or had even a sip of sherry. She did not need anyone, male or female, to point out her shortcomings.
Like the usher guarding them, the women in the choir and presbytery were mostly older than Violet. All wore hats, and most had coats draped over their shoulders. Though it was a reasonable day outside, inside the Cathedral it was still chilly, as churches and cathedrals always seemed to be, even in high summer. All that stone did not absorb warmth, and kept worshippers alert and a little uncomfortable, as if it did not do to relax too much during the important business of worshipping God. If God were an architect, she wondered, would He be an Old Testament architect of flagstone or a New Testament one of soft furnishings?
