Acts of Mutiny

Acts of Mutiny
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The second novel from the author of the critically acclaimed Newton’s Niece (1994).On an ocean liner travelling to Australia in 1959, a young boy witnesses a courtship between two of its passengers, a relationship that begins to unsettle the others aboard. Beneath them in the hold, beyond where the dogs and cats and mynah bird are kept, squats a far more sinister cargo – a nuclear arms shipment bound for the Outback testing grounds.A romantic love affair then, on a doomed boat in dangerous oceans, in the background the bruised and brooding England of the 1950s; a devastatingly accurate examination of English class and manners; a story about national and domestic violence and its consequences. Brimming with unforgettable descriptions of the seas, its animals, its weather and the ports stopped at along the way, Acts of Mutiny establishes Derek Beaven as one of England’s finest new writers.

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Acts of Mutiny

DEREK BEAVEN


Acts of Mutiny is a work of fiction. Any resemblance of its characters to real people, living or dead, is coincidental. The vessels upon which the action takes place are similarly imaginary.

Fourth Estate

An imprint of HarperCollinsPublishers 77–85 Fulham Palace Road Hammersmith, London W6 8JB

www.harpercollins.co.uk

This edition published in 1999

Copyright © 1998 Derek Beaven

The right of Derek Beaven to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9781857026627

Ebook Edition © OCTOBER 2014 ISBN: 9780007401727 Version: 2014-10-07

For David

I HAVE A knot in my tongue. Left over right, tuck under. Right over left, tuck under. The rabbit comes up through the hole. Or does the dog go round the tree for his bone? My child-knots forgot their creatures. I produced only poor knobs of string, for all my father’s detailed instruction. His prim exemplars shone from my bedroom wall, white cord on a mahogany panel: bowline, reef, clove hitch, carrick bend, sheepshank, figure of eight, Turk’s head, eye splice …

This morning we buried him over at Sidcup. There was a reception at his sister’s, a gathering of family, and of family ghosts. I choked on sandwiches, lacked conversation. Then I drove alone from Bostall Heath down towards the river edge, past Lesnes Abbey Woods, past Bostall Lane Infants – which still stands. To my roots, downstream of the City, downriver of the new Thames Barrier. Water folk, Navy folk, my family have been here for generations. I was the one who broke away. Since quitting the Navy I have worked at the airport, on the other side of the capital, in Immigration.

The street is unchanged. These are turn-of-the-century terraces, smoke grey, built by the Royal Arsenal Co-op. Nothing can shift or clean them. On our side the row heaves into a small rise, about twelve feet proud of the pavement – as if on the lift of a frozen wave. The house itself looks as it used to, the gate jammed not quite open, always to be dodged around. There is the same crumbling pebble-wound at eye level in the flight of sixteen concrete steps up to our front door. My father called them ‘the ladders’.

I see myself with my albatross eye. Just this afternoon. I am poised to go in, but turn towards the weather, snow clouds heaping up over the Isle of Dogs. Because I have not been a dutiful son; for years I never visited, and all the differences are reproaches. To the right is the vast Thamesmead estate, where once the road petered out. There was a green foot-bridge over the railway line. I would watch my father bicycling away to his plot, a vegetable sack slung across his brawny shoulder, growing smaller against the duns and sedges. In the distance, the Plumstead marshes rotted off level towards Barking Reach.

Over the opposite roofs, Canary Wharf tower: a designer biro stabbed up through the earth’s crust, scribbling on those sagging grey-bellies. The first snowflakes are already coming dark on the flurry.

From here we would have smelt London’s soot fallout, or, according to the swirl of the wind, the West India Docks, the arsenal’s chemicals, the mud at Galleons Point. Here in the dark of each new moon my father had us turn over our silver money for luck. Now it is too late. Delaying at the door, I find excuses. If I drove straight back across the City I could avoid the blizzard – even pick up the tail end of my shift at the airport. Or I could wait for Carla at her flat and try to talk things through. After all we had only just begun, she and I.

But I ought really to go in.

Entering the hallway is like being swallowed. As if through the second door along Pinocchio might actually find his old man, the naval artificer, still working by his lamp at some Marconi chassis, waiting, with the smoke wisping up from the solder. I do half expect that special smell, of burning dust and Fluxite, mingled with the leftover flavour of kippers. But it is empty, of course, and icy cold.



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