Behind the Laughter
Join Loose Women's Sherrie Hewson on her rollercoaster ride through the laughter, tears and tantrums of an extraordinary life lived on and off the screen.Sherrie Hewson is one of Britain's best loved telly stars. From her dazzling performances in the Carry On films to Russ Abbott's Madhouse, to her favourite character Maureen Holdsworth in Coronation Street to the green hills of Emmerdale, Sherrie's warmth and good humour won her a place in the heart of the nation. And now an adored presenter on Loose Women, which she joined eight years ago, Sherrie has become a friend and confidante to the millions who tune in for her naughty sense of fun, openness and quick wit.But behind the laughter Sherrie has been hiding a secret heartache. After 30 years of marriage, she is finally divorcing the man who cheated on her and squandered all her money, leaving her bankrupt, on the brink of an alcohol problem and suicidal. It has taken her nine years to reach this point; but Sherrie is now ready to share her story – and it's one that at times seems more fitting to a soap opera than real life.From living in a brothel to being ditched at the altar, to living in fear of her stalker to nearly murdering her Corrie co-star (by accident, of course!), to the on- and off-screen lovers, friends and foe, to struggling to conceive her much-loved daughter,Sherrie – a natural storyteller – always manages to see the funny side and tells it like it is with warmth and a cheeky smile.Brimming with brilliantly funny anecdotes and larger-than-life characters, Sherrie’s story will delight, entertain and, above all, make you laugh.
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SHERRIE HEWSON
Sherrie
Behind the Laughter
Dedication
To Mum, Keeley, Ollie and Molly
Contents
Dedication
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Photographic Insert 1
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Photographic Insert 2
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Acknowledgements
Picture Credits
About the Author
Copyright
Introduction
Nothing is ever straightforward in my life, and writing this book was no exception. In fact, at one point I truly believed there was a force out there similar to Darth Vader that really had it in for me. Each time I opened my laptop, his big glowing tube (OK, light sabre) would gather momentum and strike, causing disasters to happen – I was beginning to think it had all been sent to give me a reason not to do the book.
When you speak to real writers they find every excuse in the world not to write, from mundane tasks such as plants that need watering to ‘I have to watch This Morning – they’re doing a bikini wax on men’ or ‘I must clean my drains’ and even, ‘There’s a wild Alaskan bear in the garden!’ Yet once you’ve had a wee, brushed your teeth, found something nice to put on (and maybe a bit of mascara just in case), made a cup of tea, found your glasses, tied your legs to the table and started work, it’s so satisfying and therapeutic, if humbling and harrowing at times.
When what you’re writing happens to be your own story, the whole memory thing can be a bit of a worry. Sometimes you find yourself doubting you were in certain places at certain times and you do have to keep on confirming everything and consulting the reference library – in this case, my lovely mum. The mind is a trickster: it can play games with you. So, did I see The Beatles live in the Gaumont Cinema, Nottingham, in 1962 or was I backstage sitting on Paul McCartney’s knee? Did Julie Andrews inspire me to become an actress when I saw her in The Sound of Music at the ABC in Derby or was I actually in the film itself? In both cases, I’m sure you can guess the truth. So, you do have to be vigilant and honest, even if the real story isn’t quite as exciting as you would have wished.
The only thing is, when you’ve sat for a long time writing, your bum goes numb, you have to get up and the whole excuse thing starts all over again. I did have a genuine reason not to work on Christmas Eve: I’d had a very bad fall and cracked my ribs and injured my back in the process on a great big lump of ice. Naturally, sitting was extremely painful yet I gave myself every reason to work through the pain. How contrary is that?
It was a good job it happened at Christmas, too, because just before that, five of us – Zoe, Carol, Denise, Andrea and I – were thrilled to be asked to take part in the BBC’s Children in Need. I think we have Zoe to blame for the next bit: we were told they would like us to be Girls Aloud and sing ‘The Promise’ … wait for it, LIVE! Zoe is the only singer, Carol and I scatter cats for miles, Denise is passable and Andrea is, well, very tall.
We rehearsed with the Children in Need team and you could see it on their faces: the look of pain and knowing it was too late to turn back. Meanwhile, we started to love the song and the idea of being pop stars, but the more we got carried away the worse we became. Poor Zoe knew she couldn’t do any more with us! Later, we were fitted for our gold sparkly dresses (which were incredible) and then came the night itself. We were in a dressing room next to Take That, no less. In 2009 Robbie Williams had been a guest on Loose Women and we all fell in love with him. Carol and I went out with his lovely wife Ayda and his mum Jan, who I knew anyway, and got absolutely hammered. The next day Robbie let Carol know that he was very cross with us – he’d never seen his mum so drunk before.
While we waited to go onstage, I went out for a walk to calm myself down and Robbie passed me. ‘Hey,’ he shouted. ‘You OK?’ ‘No, Robbie – we’ve got to be Girls Aloud in a minute, we’re terrified!’ I told him. ‘Don’t be silly,’ he laughed. ‘We all think of you as Nanas Aloud, we love you all!’
I told the other girls this and it did calm us down – we didn’t have to be the proper Girls Aloud, just us. Of course, Take That went on and stormed the place and we were next up. There we were, the five of us, lined up in our full-length glittering gold dresses, big hair and sexy make-up, microphones at the ready … and knees knocking together in terror. At that moment all we could think was, ‘Why on earth did we agree to this?’
We were about to perform before an audience of 12 million people and it was one of the scariest things we’d ever done. As we walked on to a roar from the crowd, the music started up and the atmosphere was amazing. Every time one of us sang solo, the audience went mad – which was just as well because, hopefully, they couldn’t hear us then. It was electrifying and for those few short moments we really did feel like Girls Aloud (or as Robbie affectionately calls us, ‘Nanas Aloud’). Maybe we could start our own band for Nanas everywhere.
