A Quest for Arthur, England and the Anglo-Saxons
Harper Press
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
www.harperpercollins.co.uk
First published by HarperCollinsPublishers 2004
Copyright © Francis Pryor 2004
Francis Pryor asserts the moral right to be identified as the author of this book
Maps and diagrams by Leslie Robinson and Rex Nicholls
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Source ISBN: 9780007181872
Ebook Edition © OCTOBER 2009 ISBN: 9780007347582
Version: 2017-01-05
From the reviews of Britain AD:
‘Controversial, deceptively clever and a damn good read’
BBC History Magazine
‘Pryor’s opinionated (yet fairly argued) text rollicks along, informed by a great deal of recent research and new discoveries…Eminently readable’
British Archaeology
‘Francis Pryor has been an eloquent advocate for a new, fascinating vision of the prehistoric past. After Seahenge and Britain BC, this book completes an exhilarating trilogy in which the received ideas of far too long are swept away’
Scotsman
Britain ad is in a sense the third volume of an informal trilogy on the archaeology and early history of Britain. It was not planned as a trilogy from the outset, because the idea only came to me gradually, as I was writing the first of the three books, Seahenge. I knew then that I had to write Britain bc, and in my heart of hearts I also wanted very much to tackle the challenge posed by the collapse of Roman rule and the onset of the so-called ‘Dark Ages’ of the fifth to seventh centuries ad. But I felt more than a little daunted by the task. It was the writing of Britain bc that gave me the broader perspective and confidence to undertake the present work.
As I worked on Seahenge, I became aware that I was writing a book about what archaeologists refer to as ‘process’: the methods, approaches and techniques whereby archaeology is actually done. In that sense, Seahenge is a book less specifically about Britain than the other two; but if you read Seahenge first you will derive more from the Britain books, because you will better understand the thought processes behind the work of the various archaeologists and historians involved. Incidentally, I should add here that Mark Brennand and Maisie Taylor have written the full detailed, academic report on that most remarkable of sites.>1 Their detailed analysis of the fifty-five timbers—the way they were worked and how they were positioned—has given us a unique insight into the way Early Bronze Age people viewed their world. I do not think it is an exaggeration to say that it has transformed our understanding of Early Bronze Age ritual and religion, and has confirmed many theories that had hitherto been based largely on speculation.
My approach is a personal one. I believe with some passion that archaeology is a personal discipline, and consider it misleading to suggest that there are such things as impersonal, dispassionate or objective archaeological books, just as there are no absolute facts in archaeology, other than the objects themselves. The objects are facts, but anything we attribute to them is interpretation. You may think that a term like ‘cremation urn’ has to be factual; but that presupposes that we all agree on what constitutes a cremation—and here, as elsewhere, there are many grounds for argument. If archaeologists and historians care about their subject, they will have axes to grind, and I prefer to sharpen mine in public.