Called Back
The first in a new series of classic detective stories from the vaults of HarperCollins involves a blind man who stumbles across a murder. As he has not seen anything, the assassins let him go, but he finds it is impossible to walk away from murder.“The Detective Story Club”, launched by Collins in 1929, was a clearing house for the best and most ingenious crime stories of the age, chosen by a select committee of experts. Now, almost 90 years later, these books are the classics of the Golden Age, republished at last with the same popular cover designs that appealed to their original readers.“By the purest of accidents the man who is blind accidentally comes on the scene of a murder. He cannot see what is happening but he can hear. He is seen by the assassins who, on discovering him to be blind, allow him to go without harming him. Soon afterwards he recovers his sight and later falls in love with a mysterious woman who is in some way involved in the crime…. The mystery deepens and only after a series of memorable thrills is the tangled skein unravelled.”Called Back by Hugh Conway, a pseudonym for Frederick John Fargus, was first published in 1883. It was a huge success, selling 350,000 copies in its first year, leading to a highly acclaimed stage play the following year. This new edition is introduced by novelist and crime writing expert, Martin Edwards, author of The Golden Age of Murder.
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Published by COLLINS CRIME CLUB
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by J. W. Arrowsmith 1883
Published by The Detective Story Club Ltd
for Wm Collins Sons & Co. Ltd 1929
Introduction © Martin Edwards 2015
Cover design © HarperCollinsPublishers Ltd 1929, 2015
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008137113
Ebook Edition © August 2015 ISBN: 9780008137120
Version: 2015-07-06
Contents
Chapter I: In Darkness and in Danger
Chapter III: The Fairest Sight of All
Chapter IV: Not for Love or Marriage
Chapter VI: Unsatisfactory Answers
Chapter VII: Claiming Relationship
Chapter X: In Search of the Truth
Chapter XII: The Name of the Man
Chapter XIII: A Terrible Confession
CALLED BACK, Hugh Conway’s most famous novel, was first published in 1883 as a ‘Christmas annual’ by a small Bristol publishing firm. The story rapidly earned such popular acclaim that ‘many prophesied the displacement of Wilkie Collins by the new star’, according to one of Collins’ obituaries. Certainly, the book caused much more of a sensation than the first detective novel of a young Scottish writer four years later, A Study in Scarlet. Yet today, Conway’s name is much less well-known than Wilkie Collins’, let alone Arthur Conan Doyle’s. So it is easy to forget that his reputation endured long after his premature death in 1885. Called Back entertained a later generation of readers when it was republished in the Detective Story Club series in 1929, and was also filmed twice, in 1914 and 1933.
John Sutherland, an academic expert on Victorian fiction, has neatly summarised Called Back as a ‘sensational novel of murder, amnesia, Siberian-exile, political assassination and detection’. Who could possibly resist such a confection? The main events of the story take place in the 1860s; they are recalled later by the narrator, Gilbert Vaughan, a respectable Englishman with a hatred of mysteries ‘who has a romance hidden away beneath an outwardly prosaic life’.
At the age of 25, Vaughan is struck blind. Leaving his house in London one night, he becomes lost, and witnesses a mysterious killing. Confident that they cannot be recognised, the perpetrators allow him to escape with his life. Vaughan later recovers his sight and, on a trip to Italy, encounters a beautiful girl with whom he promptly falls in love. Their romance fails to progress, but he soon comes across her again in London, where he also meets Dr Manuel Ceneri, who claims to be her uncle. Gradually, a dastardly scheme unfolds. Vaughan is not a wholly likeable man, but his persistence in his quest for the truth makes him a worthy protagonist. The long arm of coincidence reaches out time and again during the course of the narrative, prompting Vaughan’s occasional exclamation: ‘It was Fate!’ But the book is written with Victorian verve.
The book rapidly sold more than a quarter of a million copies, making a fortune for its publisher, J. W. Arrowsmith. A paper-covered edition costing one shilling became the most renowned of the so-called ‘shilling shockers’ popular at the time. The story was also widely translated. Together with Joseph Comyns Carr, a prominent drama critic, theatre manager and playwright, Conway adapted the book for the stage, and long runs in both London and the provinces followed. There was even a burlesque version called The Scalded Back! Towards the end of her life, Emily Dickinson enjoyed reading the novel, which she described as ‘a haunting story’; so taken was she with the phrase Called Back that it was added to her tombstone. The Times compared Stevenson’s Strange Case of Dr Jekyll and Mr Hyde to Called Back, and while the reviewer admired Stevenson’s story, he expressed doubt as to whether it would enjoy as much popular success as Conway’s.
Conway threw himself into writing, with encouragement from Wilkie Collins himself, and his later books included two more ‘Christmas annuals’, notably the thriller
