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This ebook edition published by HarperCollins Publishers 2016
First published in hardback in Quietly Now: A Tribute to Charles L. Grant by Borderlands Press, 2004
Copyright © Paul Finch 2016
Cover design © Debbie Clement 2016
Paul Finch asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authorâs imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Ebook Edition © January 2016 ISBN: 9780008173715
Version: 2015-12-18
Geoff slows his Chrysler to a halt on the road called Woodcock Close.
It is a cul-de-sac, as its name suggests, with a turning circle at the end and detached middle-class houses at regular intervals along its western side. Opposite these, on the east, the ground flows away downhill, a rough uncultivated pasture of brambles, ragwort and rich, thick meadow-grass. At the bottom, perhaps two hundred yards down from Woodcock Close, a dense stand of trees encloses a woodland pond. Beyond this there is a fenced-off paddock, which is periodically used for exercising dressage horses, though the stately residence to which it belongs lies half a mile to the north, only accessible from the paddock by a winding, unmade lane, and when you reach it, well concealed within a manicured spinney of sculpted evergreens; out of sight, out of mind â and thus unattached to the green and pleasant area which lies below Woodcock Close, tucked away like a secret garden.
While dreary enough in the winter â unless there is snow, in which case it becomes an exceptional sled and toboggan run â this small but hidden valley is a magical place at every other time of the year. It is no more than ten or twelve acres in total size, yet, in appearance at least, it is deep, secluded, mysterious â even though in reality it sits in the heart of the townâs sprawling suburbs, and is perhaps only five minutesâ walk from the ever-rumbling M6 motorway. Locals like us have always known it as âthe Dellâ, and probably every generation of our boys, going back to the pre-war years, waged their own battles down in its leafy heart, explored their own jungles, fought their own dinosaurs, built their own treehouses and swung on their own makeshift rope swings.
But that was then and this is now. And children donât play in the Dell anymore.
âYou know, Dad,â Geoff says as he parks, â⦠you donât have to do this.â
âI know,â I reply.
âItâs not as if youâve got anything to prove.â
I consider his words, which I hear every time we come here, and then take my stick from the footwell.
âYou really expect to find something?â he asks. âAfter so long?â
I throw him a look â one of those short, shrewish looks I increasingly throw at people these days, and which Iâve recently made a mental note to try and clamp down on. âIt ⦠it isnât that. You know it isnât that.â
âI know.â His voice softens. He smiles sympathetically. âItâs become an annual pilgrimage, this, hasnât it?â
âSomething like that.â I button up my overcoat and climb from the car.
It is a cool day in early September. It would probably be warm if not for the gentle easterly breeze, which rustles like paper in the grass atop the Dell. The sun is mellow and misted in a pebble-blue sky, against which the foliage of the woodland below is bright emerald in colour, deep, succulent in texture.
âI wish you wouldnât do it, though.â Geoff climbs out of the car on the other side. He nods at my stick and at my slight grimace of pain as I straighten my ever-creaking back. âI mean ⦠youâre not going to be able to get up and down that hill much longer. Not at your age.â
Iâm not sure whether this is an intended wind-up.
âIâm only sixty-seven, you know,â I remind him.
He doesnât smile (which means that it isnât a wind-up at all). âYouâre a sixty-seven-year-old with chronic sciatica.â
âWell youâll be around to help me, wonât you? If things get tough.â I use that terse, fatherly tone, which always suggests that youâre