âWhatever it is, Layla, itâs going to be all right.â
It wasnât going to be all right. She was the twisted minion of an evil god. What comfort could a mortal man like Ray really offer her? And yet his arms were the only safe place that sheâd ever known. âYou have no idea who I am or what Iâve done.â
âI know what youâve done. I was there, remember?â
âIâm nothing, nothing but what he made me!â
âDonât say that,â Ray murmured against her lips. âItâs not true.â
But it was true. And yet, as Ray rocked her, it wasnât fear that surged through her.
She kissed him. Because it might be the last time she could.
Sheâd never thought that Ray was hers to keep, but she hadnât realized before now that she wasnât even her own to give.
Dear Reader,
The Minotaur was a bastard child born to a cursed queen. His mother rejected him as a monster and the cuckolded king locked him in a labyrinth, giving him sacrificial children to eat. In the end, it was the Minotaurâs own half-sister Ariadne who helped to engineer his demise.
For me, the symbolism of the story seems obvious. Our darkest secrets can never truly be locked away, and always come with a priceâwhether itâs a sacrifice of our innocents or our innocence. In this novel, Iâve envisioned a much happier ending for my minotaur, but I hope that, like the heroine of this book, you ask the crucial questions that need to be asked.
I love hearing from readers, so please stop by www.stephaniedraven.com.
Yours,
Stephanie Draven
STEPHANIE DRAVEN is currently a denizen of Baltimore, that city of ravens and purple night skies. She lives there with her favorite nocturnal creaturesâthree scheming cats and a deliciously wicked husband. And when she is not busy with dark domestic rituals, she writes her books.
A longtime lover of ancient lore, Stephanie enjoys reimagining myths for the modern age. She doesnât believe that true love is ever simple or without struggle, so her work tends to explore the sacred within the profane, the light under the loss and the virtue hidden in vice. She counts it amongst her greatest pleasures when, from her books, her readers learn something new about the world or about themselves.
To my brother-in-law and sister-in-law for their service.
And to my parents, who gave me a moral compass with which to navigate the world.
The eyes are the windows to the soul.
The old proverb was wrong, Ray thought. Eyes arenât windows to the soul; theyâre doorways. And through those doorways, Ray Stavrakis could cross into another personâs mind. Into memories. Into dreams. Into fears. Into the darkest corners of the human soul.
Unfortunately, Ray had never seen the eyes of the man he was trailing, and, in the dark, he could only glimpse the back of his victimâs head.
The old Syrian neighborhood in Aleppo was a confusing labyrinth of twisting cobblestone streets and covered bazaars, but even without light from the occasional hanging lamp, Ray knew his way as if it were mapped in his blood. After all, Aleppo was part Greek and part Arabâjust like him. His ancestors had settled in Aleppo after leaving Crete; he shouldâve been comfortable here, but so soon escaped from his dungeon, every sensation stung.
The faraway horns of taxis in the distant marketplace pained him like trumpets blaring directly into his ears. Someone in one of the apartments above was smoking a hookah pipe and the smoke floated down from an open kitchen window, mixing with the heady scent of oregano. The smell sickened him; it was as if, having spent two years in a box where the stink of sweat and blood and urine were his only companions, he couldnât bear any other odor now.
Swallowing his bile, he stalked his prey through the narrow, shadowed streets, his long leather coat snapping at his heels with every step. The man he followed walked faster, slipping a little on the cobblestones. The street was slick with the eveningâs dew, which mixed with moss to form a primordial ooze. Still, Rayâs footsteps kept pace, clopping steadily behind, closing in.
Bathed in the faint yellow light of a street lamp, the man turned to look over his shoulder. Ray saw the furious whites of the Syrianâs eyesâthe thresholdâand those dark pupils beckoned. Ray leaned forward, ready to seize the manâs mind, but something made him hesitate. Maybe he wasnât yet the monster they tried to make of him. He wanted to give the man a chance. Just one.
As his prey opened his mouth to shout for help, Ray shoved him beneath the stone archway, his broad forearm at his victimâs throat. The Syrian struggled, barely choking out in Arabic, âWho are you? What do you want?â
The Syrianâs voice was the sound of petty tyranny, the sound Ray had learned to obey for his survival. It was almost enough to make him quake. But Ray reminded himself that he was free now. He wasnât the one trying to run away. âDonât you recognize me?â he snarled at his former prison guard. âThen again, you did put a bag over my head.â