ANDREW TAYLOR
FALLEN ANGEL
THE ROTH TRILOGY
This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the authorâs imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published by
HarperCollinsPublishers 2014
Copyright © Andrew Taylor 2014
Andrew Taylor asserts the moral right to be identified as the author of this work
Cover layout design © HarperCollinsPublishers Ltd 2014 Cover illustration created from photographs © Pauline Thomas/Millennium Images (woman); Special Photographers Library/Ian Glover (landscape); Special Photographers Library/ Robert Mann (wings)
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780007502011, 9780007502028, 9780007502035
Ebook Edition © JUNE 2014 ISBN: 9780007368792
Version: 2017-05-19
ANDREW TAYLOR
THE FOUR LAST THINGS
This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the authorâs imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollinsPublishers 1997
Copyright © Andrew Taylor 1997
Cover layout design © HarperCollinsPublishers Ltd 2013 Cover photography © Mark Pennington
Andrew Taylor asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780007105113
Ebook Edition JUNE 2013 ISBN: 9780007502011
Version: 2017-05-19
âIn brief, we all are monsters, that is, a composition of Man and Beast â¦â
Religio Medici, I, 55
All his life Eddie had believed in Father Christmas. In childhood his belief had been unthinking and literal; he clung to it for longer than his contemporaries and abandoned it only with regret. In its place came another conviction, another Father Christmas: less defined than the first and therefore less vulnerable.
This Father Christmas was a private deity, the source of small miracles and unexpected joys. This Father Christmas â who else? â was responsible for Lucy Appleyard.
Lucy was standing in the yard at the back of Carla Vaughanâs house. Eddie was in the shadows of the alleyway, but Lucy was next to a lighted window and there could be no mistake. It was raining, and her dark hair was flecked with drops of water that gleamed like pearls. The sight of her took his breath away. It was as if she were waiting for him. An early present, he thought, gift-wrapped for Christmas. He moved closer and stopped at the gate.