Forgive Me
A stunning and compelling novel of love and ambition.Nadine is a 35-year-old journalist at a crossroads in her life. She longs for Pulitzer-prize winning success but her career seems to be going nowhere until the story of a lifetime comes up. Faced with the choice of following the story and leaving behind her boyfriend, who has just proposed, she leaves America for Capetown. There she meets war photographer George, whose rage at the death of his lover during apartheid seems bottomless. As events unfold, Nadine discovers she is pregnant and is forced to choose whether to return home to a secure married life with her boyfriend or pursue a life of independence and adventure – a life like George's…Set partly in Mandela's South Africa, where individuals must weigh the cost of following their dreams against the high price of truth, ‘Forgive Me’ is the unputdownable story of a woman who has to decide between security and adventure in life and love.
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FORGIVE ME
Amanda Eyre Ward
Contents
Epigragh
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Fourty-One
Chapter Fourty-Two
Acknowledgements
Literary Corner
Also by Amanda Eyre Ward
Copyright
About the Publisher
Epigraph
The real beauty and power of forgiveness
is that it can deliver the future to us.
RICHARD HOLLOWAY, On Forgiveness
Dedication
For Liza
Who made me climb Table Mountain
One
Nadine hears the parrots. So picturesque in the evening, floating over the courtyard while she sips tequila and deciphers the day’s notes, the birds make the hot dawn intolerable. Two thin pillows cannot block the cacophony. Nadine’s sheets press against her body. She remembers the warm lips of a local journalist, but wakes alone.
A room at La Hacienda Solita includes breakfast. Slowly, Nadine makes her way to the wooden table outside the kitchen. She orders eggs, beans, coffee, and juice from the girl. The juice arrives in a ceramic glass filled with ice cubes, and Nadine drinks it, though she should not. The girl–no more than ten–stands next to the table, her bare feet callused. She watches Nadine.
There is a communal shower. Nadine uses Pert Plus shampoo, bought in an American Rite Aid on her way back over the border: she was in a Laredo police station when the news of the twelve dead boys came in.
Nadine travels light: a comb, shampoo, lotion, lipstick. Two T-shirts, two pairs of pants, lace underwear–her one indulgence. She has an apartment in the Associated Press compound in Mexico City, but hasn’t been there in a month.
On the dashboard of her rental car, Nadine finds a rubber band. She pulls her black hair back with both hands, affixes the band, and puts on sunglasses. She opens her topographic map. Today, she will find and interview the boys’ families. The mother of one boy told a local TV reporter that her son had worked in a seafood restaurant. Her large, two-story home and expensive clothes told a different story.
The cars air-conditioning is broken. Nadine punches the radio on and begins to drive. Her Spanish is good; languages have always come easily to her. She plays the music loudly and hums along. It’s a song about a man who wronged a woman. “If you come back to me,” the man sings, “I will never stray again.” She thinks of the journalist’s spicy cologne, his breath against her ear as they swayed to jukebox melodies at the cantina. She smiles. It took half a bottle of Herradura and a few kisses to get directions to the boys’ tiny village.
Nadine drives slowly down the narrow streets. Men unlock metal doors and heave them upward, exposing bright fruits and vegetables, rows of shirts, videocassettes. Women sweep the sidewalk and children walk to school, holding hands. A donkey cart blocks Nadine’s way, then lurches down a side alley.
Finally, she reaches the outskirts. Passing squat homes protected by latticework concrete, Nadine accelerates. The air blazing through her open window is little comfort. She heads toward the mountains. Ian made her promise to wear the bulletproof vest, but Nadine reasons that having it in the backseat is good enough. It’s heavy and bulky, and for Christ’s sake it’s got to be a hundred degrees.
Nadine reaches the place she’s marked on her map with an X and pulls off the road. At a gas station, she fills the car and takes out her list of names. The man behind the counter, old and overweight, looks at Nadine without expression. He sells her a warm Coke. When she asks to use the bathroom, the man gestures with his hand. She walks behind the store, positioning her feet on either side of the fetid hole.
The village does not have paved roads, and Nadine’s head begins to hurt as she drives over uneven ground. She sees a group of men gathered outside one thatched-roof home. The men stare as Nadine approaches. Nadine slows the car and tries a smile. She is met with stone faces.
The thoughts flood her–Something is wrong. You should have told Ian where you were going. You should not have come alone. Back away, put on the vest–but the thoughts will fade. Nadine sets her jaw and keeps driving.
The men look at one another, at the approaching Honda. By some consensus, they rush the car, and Nadine tries to stop, to reach the locks. It is too late, but she grabs the gearshift, smoothly putting the car in reverse.
As she presses the gas, a tall man wearing a Cookie Monster T-shirt opens the passenger-side door. His sweat smells metallic as he climbs in the car. He unlocks the driver’s-side door, reaching across Nadine. The door is opened from outside. Two men drag Nadine out of the car and into the street. She fights–clawing at the men with her fingernails, screaming that she is periodista, a journalist. Their fists hit her stomach, and then her rib cage.
