Gypsy Masala

Gypsy Masala
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Stunning novel in which a young Indian woman, raised in London to fulfil her parents’ dreams of respectability, sets off in search of her own dreams – and disrupts the whole family.‘Tell me about your dreams, and if you have dared to follow them.’ This is the challenge for three members of the Vishavan family.Evita (real name Molu, but she’s always had a tendency towards the theatrical) is stuck in a 9-to-5 job until she hears the irresistible beat of a drum, summoning her to follow her dream. It takes her to faraway places and people, but the rhythm of change is also to be found closer to home.Sheila and Bali have raised Evita as their own child. Yet their sadness has kept them apart; holding on to their separate secrets, they have rejected the possibility of following any dreams. Neither expects the disruption that follows Evita’s return…From remote villages in Kerala to the heart of contemporary London, this is a story of discovery, love and what might happen if you dare to live your dream.

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Gypsy Masala

Preethi Nair


This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by Ninefish 2000

Copyright © Preethi Nair 2000 and 2004

Preethi Nair asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007305018

Ebook Edition © JUNE 2010 ISBN: 9780007391479 Version: 2016-12-20

Praise for Preethi Nair:

‘A little gem of fiction…a mystic and beautifully lyrical book.’

New Woman

‘This book will have you praying for a delayed train.’

Glamour

‘A genuinely moving novel.’

Daily Express

‘She writes evocatively about childhood and there are passages of tight and lyrical immediacy.’

Guardian

‘A warm-hearted tale of survival.’

The Bookseller

Dedicated to you the reader, in the hope that you may follow the African dancer.

‘Go away phantom sore throat, untie the muffler and release me so that I may go forth and conquer all that lies before me.’

I have always been a drama queen. I can remember being about seven, scarf tied around my neck, sitting with my Auntie Sheila and her friends listening to incessant banter and clattering coffee cups. Suddenly, I would bolt forth, untie my scarf and ask Argentina not to cry for me. My aunties would stop their slurping and look at me with bewildered eyes. Twenty years later, Evita plays on and the echo of that child resounds deep within me.

I want to bring back this crazy, impetuous child – just for an instant – so I can jump out of my chair at work and tell my boss what I really think of him. And then, maybe, I will stop making excuses and finally escape the mundane routine of a 9-5 existence.

A lot has happened over the past few weeks, and in order to think about things and to locate the little girl I once was, I have feigned illness – the sore throat to be precise – taking a few days off work only to develop the real thing. Cosily tucked up under my duvet, muffler around my neck, my mind wanders.

When I was about eight and played the Virgin Mary in the nativity, I looked at smiling, innocent little Joseph and questioned why he was wearing a tea towel on his head. Indeed, why was I wearing one on my head? The Angel Gabriel and the three shepherds just yawned and accepted the situation, whilst I further contemplated how I had managed to conceive a baby Jesus who was not of ethnic origin.

I took that plastic baby Jesus in hand and threw him into the audience where my Auntie Sheila was sitting. She shared their stern, dismayed looks. It was then I knew that things were going to be difficult.

Not that things prior to that incident had not been difficult. Having lost my own parents in an accident, a long, dusty road had led me to the doorstep of the Vishavans. I’m not too sure about the details of how I arrived there but it was my Auntie Sheila and my Uncle Bali who brought me up. They were a very practical couple and veering away from the realms of reality into flights of imagination was strictly prohibited. The consequences were dire: at best there would be stern looks of disapproval from my Auntie Sheila, and at worst the fear of further abandonment forever loomed around me.

So, like one of those little messages, I have managed to make myself fit into a bottle and have bobbed up and down for a long time now on the crest of other people’s expectations. Desperately yearning for the bottle to break but not quite sure what I’ll do if it does.



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