IntroduCtIon
Everything written in my first book is a dream. It’s a book-parable. It’s silent, provoking, and unreal. Its main events are represented as seen by its characters. Contained in their minds, it is reflecting their fears, sufferings, life mess. At times we don’t see; don’t hear all that distinct horror that surrounds us. The horror yells. It yells so loudly it’s impossible not to hear. It strikes so much it’s impossible not to see. But in all the noise and brightness of our life we don’t see and don’t hear. The horror of human suffering and devastation has achieved the highest, inconceivable note. But we don’t hear it. I depend on silent lines which are strict, deprived of colours of real life and because of that – powerful. As I believe, there is nothing louder than silence. No sound – no matter how intense it is – can overcome the silence. Silence wins. Where there is silence, there is a centre of every thought. Where there is a thought, there is clarity. It is in this blessed abode the mind is awakening. And when it has awoken the actions start.
As it’s said by the Apostle, the hell starts here. We generate our horror. We let it into our lives, our souls. We suffer only from ourselves. It’s we who create most of the problems that surround us. Nobody and nothing else. It is our belief in the power of evil. The original error is that people believe in bad, in omens. We believe. Believe that something bad is going to happen either with us, or with our loved ones. Evil exists. Believing and knowing are different things. Ignorance is no excuse. I know what evil is. I know that there are demons. I know, but I do not allow my faith to increase their power. I don’t believe in good, I believe in God.
Initially, religious themes, interspersed throughout all the chapters in the narrative, may seem (and probably will seem) to people with the established stereotype of religious imperception, hostile to individual worldview. And, therefore, rejected. This is a problem for the vast majority of readers, a barrier that not every atheist will be able to overcome. So I worry that religious themes greatly narrow the range of readers. There's
a problem – the book is not perceived by Christians, for example, as it was written for everyone. And not appreciated by everyone, because it was written for Christians. I noticed this problem only while rereading the book and creating «conditional» ending of the story. Conditional, because not everything, that was planned initially, is written. And there is no ending per se. It’s an indivisial dream, a puzzle, a maze of the mind of the protagonist.
Frankly, not everything that was written is to my liking. The book does not claim to get the highest praise. During the four years of work I have changed. Following me the views and the style of writing have changed.
Each time seeing more of the shortcomings and sickened by the writing style I'm developing. It is a poor book, which has nothing to teach his Creator. My book teaches. It teaches tough, no matter if I like this approach or not. Because of this, I’m making progress. Once a person begins to think that the fruit of his labors is genius or good, he becomes a prisoner of this framework, he stops.
The book is published. Now I want to start with a clean slate, to start the continuation of the originating events of this story. I am open to criticism, and therefore, ready to improve, but still I’m the fiercest critic of myself. What I write it for, deviating from the topic? I'm waiting for your critics, my dear readers, because I want this book to be liked by you. If you would like to share you impressions about my work, don’t hesitate to write on my e-mail: [email protected].
The plot of the book unravels the world, survived in wars and natural disasters, people surviving in the new world, in the world, generating fiends: the vampire men of the new regime. There is nothing worse than a person who has lost the face of morality, fallen into the abyss of permissiveness and sadism. The beast is less ugly in its wildness then such people.
Organization INFERNO – Inferno Numanistiska Federation Unified Response Nenastojaschaja of Ocnita – spetsnaz of «dead» is responsible for the settlement of infernal beings. Those «dead» have lost everything, all the ties connecting them with humanity. But they reflect humanity like no other people on the Earth. For life’s sake INFERNO – generated by the brunch severed from the fallen Vatican, joined a mighty heritage of antiquity, suppressing the potential power.
Numenistick: Numen is impersonal divine power, which is able to intervene in human life. This concept is attested in the 2nd century BC and in the age of the Empire is identified with the concept of «God». It is characteristic of Roman mythology, in which features of anthropomorphism are more pronounced than in the Greek one.
Goddess Nenia, in the early Roman folklore is a song of praise and mourning a dead person. It was sung with the sounds of flute at first by the family of the dead person, then by specially hired mourners at the tomb.
