In Xanadu: A Quest

In Xanadu: A Quest
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One of the most successful, influential and acclaimed travel books of recent years from the author of ‘Return of a King’, which has been shortlisted for the Samuel Johnson prize.At the age of twenty-two, William Dalrymple left his college in Cambridge to travel to the ruins of Kublai Khan’s stately pleasure dome in Xanadu. This is an account of a quest which took him and his companions across the width of Asia, along dusty, forgotten roads, through villages and cities full of unexpected hospitality and wildly improbable escapades, to Coleridge’s Xanadu itself.At once funny and knowledgeable, In Xanadu is in the finest tradition of British travel writing. Told with an exhilarating blend of eloquence, wit, poetry and delight, it is already established as a classic of its kind.

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In Xanadu

William Dalrymple

A QUEST


HarperPress

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Collins 1989

Copyright © William Hamilton-Dalrymple 1990

William Hamilton-Dalrymple asserts the moral right to be identified as the author of this work

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

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Source ISBN: 9780006544159

Ebook Edition © JUNE 2012 ISBN: 9780007397594 Version: 2016-08-30

It was still dark when I left Sheik Jarrah. At the Damascus Gate the first fruit sellers were gathered by a brazier, warming their fingers around glasses of sweet tea. The Irish Franciscan was waiting by the door of the Holy Sepulchre. He nodded from under the hood of his habit and without a word led me past the Armenian chapel and under the great rotunda. Around the dome you could hear the echo of plainchant as twelve separate congregations sang their different matins.

‘It’s not long now,’ said Brother Fabian. ‘The Greeks will be finished by eight-thirty.’

‘That’s in two hours’ time.’

‘Only half an hour. The Greeks don’t allow us to put the clocks back. We work on Byzantine time here.’

He knelt down on a flagstone, folded his hands in his sleeves and began murmuring his devotions. We waited for twenty minutes.

‘What’s keeping them?’

‘The rota’s very strict. They’re allowed four hours in the tomb, and they won’t leave until their time is up,’

He hesitated then added:

‘Things are a bit tense at the moment. Last month one of the Armenian monks went crazy: thought an angel was telling him to kill the Greek patriarch. So he smashed an oil lamp and chased Patriarch Diodorus through the choir with a piece of broken glass.’

‘What happened?’

‘The Greeks overpowered him. There’s an ex-weightlifter from Thessaloniki who looks after the Greek chapel on Calvary. He pinned the Armenian down in the crypt until the police came. But since then the Greeks and the Armenians haven’t been on speaking terms. Which means we had to be the go-betweens. Until we broke off relations with the Greeks as well.’

‘What do you mean?’

‘Last month Diodorus was crossing the bridge into Jordan when the border guards found a big bag of heroin in the air filter of his car. They released him but arrested his driver. Diodorus claimed he must have put the bag there. The driver was a Catholic.’

‘So now no one is speaking to anyone?’

‘I think the Copts are still speaking to the Maronites. But apart from that, no.’

Brother Fabian pulled one arm out of his habit and pointed to the dome of the rotunda.

‘You see the painter’s scaffolding? That’s been up ten years because the three patriarchs can’t agree on a colour. They’d just about settled on black when the Armenian assaulted Diodorus. Now the Greeks are demanding purple. It won’t get repainted for another ten years now. By which time,’ added Fabian, ‘I shall be back in Donegal.’

At that moment a procession of black-clad Greek monks emerged from the Tomb, a bulbous, kettle-like structure which Robert Byron thought resembled a railway engine. As the monks stepped out some were singing anthems while others sprayed the ambulatory with holy water. They had cascading pepper-and-salt beards and wore cylindrical hats topped with black mortarboards. They scowled in the direction of the Latin chapel then marched off towards Calvary.

‘Wait here,’ said Brother Fabian.

He returned carrying a tin watering can and a tray of what looked like surgical instruments. He handed me the tray then walked up to the tomb, bowed, bent double and squeezed under the low, cusped arch. I followed. We passed through the dim first chamber, then stooped into the inner sanctum. The holiest shrine in Christendom was the size of a small broom cupboard. Raised on a ledge was the Stone of Resurrection and on top of it rested two icons, a tatty Mannerist painting and a vase containing seven wilted roses. Twelve lamps were suspended from the ceiling by steel chains. Fabian knelt down, kissed the Stone and murmured a prayer. Then he rose.



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