It’s Not What You Think and Memoirs of a Fruitcake 2-in-1 Collection
Chris Evans is one of the country’s most successful broadcasters and producers. For the first time, readers can follow Chris’s journey in this single volume – from a young paperboy living in a council estate in It’s Not What You Think to battling his demons whilst hosting his radio show in the Sunday Times bestseller Memoirs of a Fruitcake.It’s Not What You Think tells the story of how one council estate lad made good, really very good, and survived – just about – to tell the tale. In this witty and energetically written autobiography, Chris describes the experiences that shaped the boy and created the man who would go on to carve out such a dazzlingly brilliant career. From a paperboy born in a dreary council estate to becoming a massive media mogul , It’s Not What You Think gives readers the real story beyond the glare of the media spotlight.It looked like Chris had made it after the events in It’s Not What You Think. But things were about to take a very dark turn, as Memoirs of a Fruitcake describes. Soon Chris’s childhood dreams of a job in radio lay in tatters, and as an endless drink-fuelled lifestyle began to take its toll, he plunged into a downward spiral so deep that escape seemed almost impossible.And then his salvation appeared, in the form of a young singer called Billie Piper. Named the Sunday Times Celebrity Book of the Year 2010, Memoirs of a Fruitcake is told with the same wit, verve and startling honesty that surprised and delighted readers of It’s Not What You Think.
Читать It’s Not What You Think and Memoirs of a Fruitcake 2-in-1 Collection онлайн беплатно
IT’S NOT WHAT YOU THINK
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
First published in paperback by HarperCollinsPublishers 2010
© Chris Evans 2009, 2010
Chris Evans asserts the moral right to
be identified as the author of this work
All photographs are courtesy of the author with the exception of the following: images 26, 29, 30, 31 and 32: © Big Pictures; image 46: © Virgin Radio; image 48: © Rankin
Cover images © Rankin
Cover layout design © HarperCollinsPublishers 2010
While every effort has been made to trace the owners of copyright material reproduced herein, the publishers would like to apologise for any omissions and will be pleased to incorporate missing acknowledgements in any future editions.
A catalogue record for this book is
available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.
Find out about HarperCollins and the environment at
Source ISBN: 9780007327232
Ebook Edition © October 2009 ISBN: 9780007327256
Version 2016-10-24
MEMOIRS OF A FRUITCAKE
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
First published by HarperCollinsPublishers 2010
© Chris Evans 2010
Chris Evans asserts the moral right to
be identified as the author of this work
All photographs are courtesy of the author with the exception of the following: image 3: PHOTOGRAPH BY GARRETT BRENNAN/CPI, CAMERA PRESS LONDON; image 4: PHOTOGRAPH BY GARRETT BRENNAN/CPI, CAMERA PRESS LONDON; image 13: © Starstock/Photoshot; image 18: courtesy of Gordon MacGeachy; image 19: courtesy of Gordon MacGeachy; image 20: © Talking Sport/Photoshot; image 37: Jeff Moore/Jeff Moore/Empics Entertainment; image 39: Neale Haynes/Contour by Getty Images; images 41 and 42: © Jackie King; image 47: © Brian J. Ritchie/Rex Features; image 52: courtesy of the Radio Times; image 53: © The One Show; image 55: © Rankin
A catalogue record for this book is
available from the British Library
Cover photographs © Rankin
Cover layout design © HarperCollinsPublishers 2011
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.
Find out about HarperCollins and the environment at
Source ISBN: 9780007345700
Ebook Edition © October 2010 ISBN: 9780007345724
Version 2016-10-24
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
First published by HarperCollinsPublishers 2014
© Chris Evans 2014
Cover layout design © HarperCollinsPublishers 2014
Chris Evans asserts the moral right to
be identified as the author of this work
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.
Find out about HarperCollins and the environment at
Ebook Edition © March 2014 ISBN: 9780007577705
Version 2016-10-24
Contents
To everyone that’s ever helped me, tolerated me, loved me, laughed with me, cried with me, created with me and forgiven me at any time, anywhere. Thank you.
Dear Reader,
For the purposes of bespoke compartmentalisation during the course of this book, where Dickens went for episodes, Shakespeare went for stanzas and the Good Lord himself for chapter and verse, being a DJ I have gone for Top 10s.
If it was good enough for Moses and his Commandments, it should be good enough for my book.
CE
