Copyright
HarperVoyager an imprint of HarperCollinsPublishers Ltd 77–85 Fulham Palace Road Hammersmith, London W6 8JB
www.harpercollins.co.uk
Copyright © 2003 by Ray Bradbury
Cover design by Mike Topping. Cover layout design © HarperCollinsPublishers 2014 Cover photographs © Shutterstock.com
Ray Bradbury asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Ebook Edition © JULY 2014 ISBN: 9780007541775
Version: 2014–07–23
Chapter One
It was a dark and stormy night.
Is that one way to catch your reader?
Well, then, it was a stormy night with dark rain pouring in drenches on Venice, California, the sky shattered by lightning at midnight. It had rained from sunset going headlong toward dawn. No creature stirred in that downfall. The shades in the bungalows were drawn on faint blue glimmers where night owls deathwatched bad news or worse. The only thing that moved in all that flood ten miles south and ten miles north was Death. And someone running fast ahead of Death.
To bang on my paper-thin oceanfront bungalow door.
Shocking me, hunched at my typewriter, digging graves, my cure for insomnia. I was trapped in a tomb when the hammering hit my door, midstorm.
I flung the door wide to find: Constance Rattigan.
Or, as she was widely known, The Rattigan.
A series of flicker-flash lightning bolts cracked the sky and photographed, dark, light, light, dark, a dozen times: Rattigan.
Forty years of triumphs and disasters crammed in one brown surf-seal body. Golden tan, five feet two inches tall, here she comes, there she goes, swimming far out at sunset, bodysurfing back, they said, at dawn, to be beached at all hours, barking with the sea beasts half a mile out, or idling in her oceanside pool, a martini in each hand, stark naked to the sun. Or whiplashing down into her basement projection room to watch herself run, timeless, on the pale ceiling with Eric Von Stroheim, Jack Gilbert, or Rod La Rocque’s ghosts, then abandoning her silent laughter on the cellar walls, vanishing in the surf again, a quick target that Time and Death could never catch.
Constance.
The Rattigan.
“My God, what are you doing here?” she cried, rain, or tears, on her wild suntanned face.
“My God,” I said. “What are you?”
“Answer my question!”
“Maggie’s east at a teachers’ conference. I’m trying to finish my new novel. Our house, inland, is deserted. My old landlord said, your beach apartment’s empty, come write, swim. And here I am. My God, Constance, get inside. You’ll drown!”
“I already have. Stand back!”
But Constance did not move. For a long moment she stood shivering in the light of great sheets of lightning and the following sound of thunder. One moment I thought I saw the woman that I had known for years, larger than life, leaping into and jumping out of the sea, whose image I had witnessed on the ceiling and walls of her basement’s projection room, backstroking through the lives of Von Stroheim and other silent ghosts.