Lord Edgware Dies

Lord Edgware Dies
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Agatha Christie’s famous murder mystery, reissued with a striking cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.Poirot had been present when Jane bragged of her plan to ‘get rid of’ her estranged husband. Now the monstrous man was dead. And yet the great Belgian detective couldn’t help feeling that he was being taken for a ride.After all, how could Jane have stabbed Lord Edgware to death in his library at exactly the same time she was seen dining with friends? And what could be her motive now that the aristocrat had finally granted her a divorce?

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Lord Edgware Dies


This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Published by HarperCollinsPublishers Ltd

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London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Collins 1933

Agatha Christie® Poirot® Lord Edgware Dies™

Copyright © 1933 Agatha Christie Limited. All rights reserved.

www.agathachristie.com

Cover design © HarperCollinsPublishers Ltd 2016

Title lettering by Ghost Design

Cover layout design © HarperColl‌insPublishers Ltd 2016. Title lettering by Ghost Design. Cover photograph © Angie Milam/Arcangel Images

Agatha Christie asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library

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Source ISBN: 9780008164850

Ebook Edition © SEPTEMBER 2016 ISBN: 9780007422432

Version: 2017-04-13

To Dr and Mrs Campbell Thompson

The memory of the public is short. Already the intense interest and excitement aroused by the murder of George Alfred St Vincent Marsh, fourth Baron Edgware, is a thing past and forgotten. Newer sensations have taken its place.

My friend, Hercule Poirot, was never openly mentioned in connection with the case. This, I may say, was entirely in accordance with his own wishes. He did not choose to appear in it. The credit went elsewhere—and that is how he wished it to be. Moreover, from Poirot’s own peculiar private point of view, the case was one of his failures. He always swears that it was the chance remark of a stranger in the street that put him on the right track.

However that may be, it was his genius that discovered the truth of the affair. But for Hercule Poirot I doubt if the crime would have been brought home to its perpetrator.

I feel therefore that the time has come for me to set down all I know of the affair in black and white. I know the ins and outs of the case thoroughly and I may also mention that I shall be fulfilling the wishes of a very fascinating lady in so doing.

I have often recalled that day in Poirot’s prim neat little sitting-room when, striding up and down a particular strip of carpet, my little friend gave us his masterly and astounding résumé of the case. I am going to begin my narrative where he did on that occasion—at a London theatre in June of last year.

Carlotta Adams was quite the rage in London at that moment. The year before she had given a couple of matinées which had been a wild success. This year she had had a three weeks’ season of which this was the last night but one.

Carlotta Adams was an American girl with the most amazing talent for single-handed sketches unhampered by make-up or scenery. She seemed to speak every language with ease. Her sketch of an evening in a foreign hotel was really wonderful. In turn, American tourists, German tourists, middle-class English families, questionable ladies, impoverished Russian aristocrats and weary discreet waiters all flitted across the scene.

Her sketches went from grave to gay and back again. Her dying Czecho-Slovakian woman in hospital brought a lump to the throat. A minute later we were rocking with laughter as a dentist plied his trade and chatted amiably with his victims.



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