Luck and Other Deadly Things

Luck and Other Deadly Things
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Книга "Luck and Other Deadly Things", автором которой является Christopher Byford, представляет собой захватывающую работу в жанре Зарубежные приключения. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Christopher Byford позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Byford настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Luck and Other Deadly Things" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHRISTOPHER BYFORD was born in 1980 in Wellingborough, England. He learnt to walk whilst holding on to a golden retriever and fondly remembers the days of BMX bikes and conker matches. He left college to suffer as an IT Manager for a small multinational before, in his words, escaping to Gloucester. After working for some large tech companies he seized the opportunity to become a full-time author. It was the best thing he’s ever done.

Also by Christopher Byford

The Gambler’s Den Series

Den of Shadows

Den of Stars

Den of Smoke

Den of Shadows Collection

Luck and Other Deadly Things

Christopher Byford


ONE PLACE. MANY STORIES

Copyright


An imprint of HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2019

Copyright © Christopher Byford 2019

Christopher Byford asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

E-book Edition © January 2019 ISBN: 9780008335939

To those who were there at the start

and are here at the end

Foreword

As any author will tell you, the process of editing a manuscript can be testing. There is a wonderful phrase tossed around that puts the difficulty in context: ‘murder your darlings’.

Nobody wants to murder their darlings. They’re called darlings for a reason. The very thought of putting the axe to months, even years of work is nauseating. Chapters get removed for pacing reasons. Characters are deemed redundant, their lines and scenes absorbed into a more palatable fixture.

I’m comfortable with the editing process. I understand that for the sake of clarity, consistency and market, things may need modifying, tightening up, compacting, and other such terms that attempt to lessen the impact of its severity. Yet for all the hurt it causes the end result is much better for it.

This book is a collection of all of the moments when the axe was swung for whatever reason and the darlings in question were sacrificed. In here are entire missing chapters and extended scenes of those that were included for publication. It’s the book equivalent of the deleted scenes section you find on the front menu when you put a movie in, with bad sound and ropey green-screen effects. Like it, the inclusions are in various states so expect things to be a little rougher than you would normally find.

When the Den series was published, I was fortunate to have a great team at HQ Digital behind me. They steered me through what editing entailed, explaining how to polish an admittedly rough piece of work into something more presentable. From large, dramatic changes to small, detailed buffing of paragraphs, I learnt an incredible amount from all involved. They showed me how to best murder my darlings, to cleanly eradicate them and leave no evidence behind. This little collection is dedicated to them.

Unsurprisingly as we cover all three books in the Den series, spoilers will abound. If you’ve not finished them all, then please turn back now. You wouldn’t want to ruin anything for yourself. For the curious, I hope you find some enjoyment in what you hold.

As always, enjoy.

Christopher Byford

21/08/2018

The Birth of the Train

The Gambler’s Den was born from the Eiferian 433, an ore hauler that had seen plenty of use during the beginning of Surenth’s industrial boom. Found in a scrapheap, its restoration became the key element in Franco’s pursuit of a better tomorrow, its renovation instigated by Franco’s long-suffering grandfather better known as Pappy. This extended sequence showed their celebration upon their success, as well as foreshadowing the dangerous quirk that Misu was unaware of – one that would bring about its ruin.

Everything was looking good. It was actually looking good.

Pappy held the throttle carefully, knuckles white in anticipation, almost afraid to let it go. The main and piston rods did their thing, encouraging the colossal train wheels to complete a full rotation. The train heaved forward ever so slowly, gently advancing along the track. Franco hung himself half from the cab window, staring down as they passed over the sand-dusted ground. Drawing himself back inside, Franco found that he couldn’t stop laughing.



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