LZ-’75: Across America with Led Zeppelin

LZ-’75: Across America with Led Zeppelin
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Stephen Davis’s brilliantly-written personal account of criss-crossing America with Led Zeppelin on their 1975 tour. A warts-and-all snapshot of the world’s biggest hard-rock band at their peak.As a young rock writer Stephen Davis landed the ultimate commission – touring America with Led Zeppelin.This is a personal account by Davis of his journey, which saw him crossing the country with the band on board the Starship, their famous Boeing passenger jet, complete with deep shag purple carpet, electric pianos, girlfriends and star-struck hangers-on.This is also the story of one of the hardest-living bands in the world at their peak. For Robert Plant, Jimmy Page, John Paul Jones and John Bonham, the most beautiful women in America tear their spangled jackets from them and riots start outside their gigs.LZ-75 captures a few perfect months in rock, when Led Zeppelin epitomised the free-living rock dream, but, like Icarus, their wings were already beginning to melt. It wouldn't be long before John Bonham died of a vodka overdose, and punk killed their brand of monumental rock.With it's up-close-and-personal accounts of band members, managers, groupies, fans and drug-dealers, there's a lot of Almost Famous about this book – Led Zep's 1975 tour is in fact the very one on which Cameron Crowe's film was based.Stephen Davis was barely twenty in 1975, but now he is recognised as one of the best rock writers in the world. He is the author of the mega-selling Hammer of the Gods – a biography of Led Zeppelin. He recently unearthed his notebooks of the 1975 tour – which he didn't use for Hammer of the Gods – to write LZ-75.LZ-75: Across America with Led Zeppelin is a wonderful and unique thing – a beautifully succinct account of a single moment in rock, when no lyric was too far-fetched, no drink went undrunk and no expense was ever, ever spared. It's a moment that will never be repeated.

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LZ-’75

The Lost Chronicles of

Led Zeppelin’s 1975

American Tour

Stephen Davis

FOURTH ESTATE - London

Led Zeppelin rarely let journalists anywhere near the band. Shortly after guitarist Jimmy Page founded the English rock group in 1968, relations with the press deteriorated to the point of outright hostility on both sides. Early reviews of Led Zeppelin’s recordings and concerts were negative, unkind, and even vitriolic. Led Zeppelin was described as an unholy amalgam of hype, money, depravity, and Satanism. The band retaliated by banning writers and photographers from their shows, with the exception of a few trusted people who could be counted on to write positive articles and make authorized, band-approved photographs. There were also reliable accounts of journalists being assaulted by members of Led Zeppelin; being spat on; having drinks flung in their faces.

“The press,” as it was known, was terrified of Led Zeppelin. All this changed, somewhat, in 1975. By then, Led Zeppelin was the biggest, highest-grossing rock band in the world, as well as the booming music industry’s biggest act. The records shipped platinum. The tours sold out in moments. Zeppelin started a record label, and the products started selling tonnage as well.

But in 1975, the mainstream media didn’t play along. The rock press was eager for any piece of Led Zeppelin, but as the band prepared a new album of songs, maybe its best ever, and a sold-out tour of North America, the band’s media representatives found certain doors slamming shut and important phone calls unreturned. So it was decided that Led Zeppelin would take the unprecedented step of inviting carefully selected writers, editors, and photographers from the regular media to come along for a taste of the tour from the inside. Backstage passes would be doled out, interviews would be given, a tour photographer was hired. Rolling Stone magazine, hated by Led Zeppelin for unfair treatment since 1969, would be courted. An elite from this small constituency would even be offered the occasional seat on “Starship One,” Led Zeppelin’s flying gin palace, a converted Boeing 727 jetliner, as it ferried the musicians in excelsis, across time zones, state lines, and states of mind.

I was one of those writers.

Between January and March 1975, I covered Led Zeppelin’s tenth American tour, as a magazine journalist. I was well treated by the band, its management, and the road crew, and the whole thing was an adventure. Led Zeppelin paid for everything. I heard a lot of great music, and also witnessed concerts that were far less than brilliant, illustrating how a long, hard-fought rock campaign could be undermined by illness, exile, homesickness, weather, drugs, and alcohol. In other words, I saw that the current gods of rock were mere mortals after all.

While I was on duty in 1975, I kept three notebooks detailing the daily progress of the Zeppelin tour as I was covering it. Some entries were more personal, sketching characters I met, and various situations and experiences. On the notebook’s covers I scribbled LZ-‘75. After I wrote my article, I put the LZ-’75 notebooks in a drawer and forgot about them.

Jump ten years to 1985. I’d been searching for the LZ-’75 notebooks for two years because I was writing a biography of Led Zeppelin, which had disbanded five years earlier after drummer John Bonham died. But I’d moved houses, and the notebooks had been misplaced. I had a few details of that period—Zeppelin’s most important North American tour—from the manuscript of the old magazine article, but most of the in-the-moment, on-the-road 1975 incidents from my notes were absent from Hammer of the Gods: The Led Zeppelin Saga,



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