Maud Florence Nellie: or, Don't care!

Maud Florence Nellie: or, Don't care!
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Книга "Maud Florence Nellie: or, Don't care!", автором которой является Christabel Coleridge, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Christabel Coleridge позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Coleridge настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Maud Florence Nellie: or, Don't care!" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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Chapter One

Maud Florence Nellie

Maud Florence Nellie Whittaker was standing before her little looking-glass, getting ready for her afternoon Sunday school. She was a fine tall girl of fifteen, rather stoutly made, with quantities of light brown hair, which fell on her shoulders and surrounded her plump rosy face with a perfect halo of fringe and friz. She had hazel eyes, which were rather bold and rather stupid, a cocked up nose, and full red lips, which could look sulky; but which were now curved in smiling satisfaction at the new summer hat, all creamy lace and ribbons, which she was fixing at exactly the right angle above her curly hair. She had on a very fashionable cream-coloured costume to match the hat, and altogether she was justified in considering herself as one of the best dressed girls in her class, and one whose good looks were not at all likely to pass unnoticed as she took her way along the sunshiny road that led into the large country town of Rapley. Her fine frock, her big girlish form, and her abundant hair seemed to fill up the little bedroom in which she stood; which had a sloping roof and small latticed windows, though it was comfortably furnished and had no more appearance of poverty than its inhabitant. Florrie Whittaker lived in the lodge at the gate of the great suburban cemetery, which had replaced all the disused churchyards of Rapley. Her father was the gatekeeper and caretaker, and as the cemetery was a very large one the post was important and the salary good. Florrie and her brothers and sisters had run up and down the rows of tomb-stones and played in the unoccupied spaces for as long as most of them could recollect. They saw many funerals everyday, and heard the murmur of the funeral service and the toll of the funeral bell whenever they went out, but it never occurred to them to think that tomb-stones were dismal or funerals impressive; they looked with cheerful living eyes at their natural surroundings, and never thought a bit more of the end of their own lives because they so constantly saw the end of other people’s. Florrie finished herself up with a red rosebud, found her hymn-book and a pair of new kid gloves, and then with a bounce and a clatter ran down the narrow stairs into the family sitting-room below; where the din of voices betokened the father’s absence, and the bustle attendant on starting for school on the part of a boy and two girls younger than herself.

“You’ll all be late, children, and get bad marks from your teachers,” cried Florence, in a loud gay voice.

“And what’ll you be?” was the not unnatural retort of the next sister, Sybil.

“It ain’t the same thing in my class,” returned Florrie. “Teacher knows that girls of my age can’t be punctual like little ones. They’ve to clear away, and mind the children, and all sorts of things to do.”

“And what have you been clearing away?”

“And who have you been minding of?”

“And what have you had to do but put your fine hat on?” rose in a chorus from the indignant children; while another voice put in —

“When I went to school the elders came punctual for the sake of an example.”

“Oh my! Aunt Lizzie, I didn’t see you,” said Florrie. “How d’ye do? There’s plenty of examples nowadays if one wanted them, which I don’t.”

“I’m sure, Aunt Lizzie,” put in the eldest sister, a tall young woman of nineteen or so, “there isn’t harder work in the world than in trying to set an example to Florrie.”

“You don’t set a nice one,” said Florrie.

“It would be a deal better for you, Florence,” said her aunt, “if you did take example by some one. You’re getting a big girl, and that hat and frock are a deal too smart to run about the roads in. When I was a girl, I had a nice brown mushroom hat and a neat black silk jacket, and pleased enough I was with them as a new thing.”

“And did your aunts wear mushroom hats and black silk jackets?” said Florrie.

“My aunts? no, indeed! Whatever are you thinking of, Florence? My aunts were most respectable women, and wore bonnets, when bonnets was bonnets. Hats, indeed!”

“Your hat was in the fashion then, and mine’s in the fashion now,” said Florence saucily; but Aunt Lizzie, refusing to perceive that her niece had made a point, continued, “Aunt Eliza Brown was married to a man in the grocery way, and Aunt Warren, as you very well know, was housekeeper to Mr Cunningham at Ashcroft Hall, and married the head keeper, which her son has the situation to this day.”

“I do tell Florrie,” said the elder sister again, “that she’d look a deal more like a real lady if she dressed a bit quieter than she does.”

“I don’t want to look like a lady. I want to have my fun,” said Florrie. “Come on, Ethel, if you’re coming; I want to catch up with Carrie and Ada. Good-bye, aunt; I like lessons best in school.”

And off dashed Florrie through the summer sunshine, between the avenue of monuments, her hair flying, her skirts swinging, and her loud lively voice sounding behind and before her as she scurried along.

“Well!” said Aunt Lizzie, “she be a one, surely. That girl wants a tight hand over her, Martha Jane, if ever a girl die yet.”



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