Mr. Munchausen

Mr. Munchausen
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Книга "Mr. Munchausen", автором которой является John Bangs, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, John Bangs позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Bangs настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Mr. Munchausen" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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EDITOR’S APOLOGY
and
DEDICATION

In order that there may be no misunderstanding as to the why and the wherefore of this collection of tales it appears to me to be desirable that I should at the outset state my reasons for acting as the medium between the spirit of the late Baron Munchausen and the reading public. In common with a large number of other great men in history Baron Munchausen has suffered because he is not understood. I have observed with wondering surprise the steady and constant growth of the idea that Baron Munchausen was not a man of truth; that his statements of fact were untrustworthy, and that as a realist he had no standing whatsoever. Just how this misconception of the man’s character has arisen it would be difficult to say. Surely in his published writings he shows that same lofty resolve to be true to life as he has seen it that characterises the work of some of the high Apostles of Realism, who are writing of the things that will teach future generations how we of to-day ordered our goings-on. The note of veracity in Baron Munchausen’s early literary venturings rings as clear and as true certainly as the similar note in the charming studies of Manx Realism that have come to us of late years from the pen of Mr. Corridor Walkingstick, of Gloomster Abbey and London. We all remember the glow of satisfaction with which we read Mr. Walkingstick’s great story of the love of the clergyman, John Stress, for the charming little heroine, Glory Partridge. Here was something at last that rang true. The picture was painted in the boldest of colours, and, regardless of consequences to himself, Mr. Walkingstick dared to be real when he might have given rein to his imagination. Mr. Walkingstick was, thereupon, lifted up by popular favour to the level of an apostle – nay, he even admitted the soft impeachment – and now as a moral teacher he is without a rival in the world of literature. Yet the same age that accepts this man as a moral teacher, rejects Baron Munchausen, who, in different manner perhaps, presented to the world as true and life-like a picture of the conditions of his day as that given to us by Mr. Walkingstick in his deservedly popular romance, “Episcopalians I have Met.” Of course, I do not claim that Baron Munchausen’s stories in bulk or in specified instances, have the literary vigour that is so marked a quality of the latter-day writer, but the point I do wish to urge is that to accept the one as a veracious chronicler of his time and to reject the other as one who indulges his pen in all sorts of grotesque vagaries, without proper regard for the facts, is a great injustice to the man of other times. The question arises, why is this? How has this wrong upon the worthy realist of the eighteenth century been perpetrated? Is it an intentional or an unwitting wrong? I prefer to believe that it is based upon ignorance of the Baron’s true quality, due to the fact that his works are rarely to be found within the reach of the public: in some cases, because of the failure of librarians to comprehend his real motives, his narratives are excluded from Public and Sunday-School libraries; and because of their extreme age, they are not easily again brought into vogue. I have, therefore, accepted the office of intermediary between the Baron and the readers of the present day, in order that his later work, which, while it shows to a marked degree the decadence of his literary powers, may yet serve to demonstrate to the readers of my own time how favourably he compares with some of the literary idols of to-day, in the simple matter of fidelity to fact. If these stories which follow shall serve to rehabilitate Baron Munchausen as a lover and practitioner of the arts of Truth, I shall not have made the sacrifice of my time in vain. If they fail of this purpose I shall still have the satisfaction of knowing that I have tried to render a service to an honest and defenceless man.

Meanwhile I dedicate this volume, with sentiments of the highest regard, to that other great realist

MR. CORRIDOR WALKINGSTICK
of
GLOOMSTER ABBEY
J. K. B

I

I ENCOUNTER THE OLD GENTLEMAN

There are moments of supreme embarrassment in the lives of persons given to veracity, – indeed it has been my own unusual experience in life that the truth well stuck to is twice as hard a proposition as a lie so obvious that no one is deceived by it at the outset. I cannot quite agree with my friend, Caddy Barlow, who says that in a tight place it is better to lie at once and be done with it than to tell the truth which will need forty more truths to explain it, but I must confess that in my forty years of absolute and conscientious devotion to truth I have found myself in holes far deeper than any my most mendacious of friends ever got into. I do not propose, however, to desert at this late hour the Goddess I have always worshipped because she leads me over a rough and rocky road, and whatever may be the hardships involved in my wooing I intend to the very end to remain the ever faithful slave of Mademoiselle Veracité. All of which I state here in prefatory mood, and in order, in so far as it is possible for me to do so, to disarm the incredulous and sniffy reader who may be inclined to doubt the truth of my story of how the manuscript of the following pages came into my possession. I am quite aware that to some the tale will appear absolutely and intolerably impossible. I know that if any other than I told it to me I should not believe it. Yet despite these drawbacks the story is in all particulars, essential and otherwise, absolutely truthful.



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