My Dear I Wanted to Tell You
While Riley Purefoy and Peter Locke fight for their country, their survival and their sanity in the trenches of Flanders, Nadine Waveney, Julia Locke and Rose Locke do what they can at home. Beautiful, obsessive Julia and gentle, eccentric Peter are married: each day Julia goes through rituals to prepare for her beloved husband's return. Nadine and Riley, only eighteen when the war starts, and with problems of their own already, want above all to make promises – but how can they when the future is completely out of their hands? And Rose? Well, what did happen to the traditionally brought-up women who lost all hope of marriage, because all the young men were dead?Moving between Ypres, London and Paris, My Dear I Wanted to Tell You is a deeply affecting, moving and brilliant novel of love and war, and how they affect those left behind as well as those who fight.
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LOUISA YOUNG
My DearI Wanted to Tell You
Dedication
For Robert Lockhart
Contents
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Historical Note
Acknowledgements
About the Author
Also by Louisa Young
Copyright
About the Publisher
Prologue
France, 7 June 1917, 3.10 a.m.
It had been a warm night. Summery. Quiet, as such nights go.
The shattering roar of the explosions was so very sudden, cracking though the physicality of air and earth, that every battered skull, and every baffled brain within those skulls, was shaken by it, and every surviving thought was shaken out. It shuddered eardrums and set livers quivering; it ran under skin, set up counter-waves of blood in veins and arteries, pierced rocking into the tiny canals of the sponge of the bone marrow. It clenched hearts, broke teeth, and reverberated in synapses and the spaces between cells. The men became a part of the noise, drowned in it, dismembered by it, saturated. They were of it. It was of them.
They were all used to that.
In London, Nadine Waveney, startled from dull pre-dawn somnolence at the night desk, heard the distance-shrouded crumps and thought, for a stark, confused moment, Is it here? Zeppelins? She looked up, her face the same low pale colour as the flame of the oil lamp beside her.
Jean scampered in from next door. ‘Did you hear that?’ she hissed.
‘I did,’ said Nadine, eyes wide.
‘France!’ hissed Jean. ‘A big ’un!’ And she slid away from the doorway again.
Nadine thought, Sweet Jesus, let Riley not be in that.
In Kent, Julia Locke sat bolt upright in her bed before she was even half awake, saw the cupboard door hanging open and thought, foolishly: Oh . . . thunder . . . but she was sound asleep again when Rose, in her dressing-gown, looked in on her.
In the Channel, the waters wandered suddenly this way and that, in denial of the natural movements of tide and wind.
At Calais, a handful of late-carousing sailors paused and turned.
At Étaples, a sentry woke with a sharp nod that he felt certain would crack his head backwards off his neck. ‘Crikey,’ someone murmured, ‘hope that’s us, not them.’ Two ruins away, a sixteen-year-old whore paused and shrank, her heart battering and shaking. Her thirty-five-year-old punter fell away from her, unmanned as his blood hurtled elsewhere in his body.
Beyond Paris, a displaced peasant sleeping on a sack didn’t bother to wake. Sheep, less well-informed, panicked and ran to and fro. Their shepherds couldn’t be bothered to.
An upright piano stood in a field, gaping and rotting, where it had been since October 1914.
In the Reserve Line those who slept leapt awake; those who sat by dampened braziers jumped; those who leapt and jumped were pulled down by their comrades, with profanities and muffled cries of ‘Fuck sake, man.’ The Aussie sappers who had dug the tunnels under the German line, and laid the six hundred thousand pounds of mines, grinned and smoked. Ungentlemanly it might be, as warfare goes, but they had started that, with their filthy illegal gas – and, anyway, it’s effective. Which is all anyone cares about by now.
Up the line, the Allied men in their trenches reeled with the earth around them, and kept reeling until the earth around them let them stop. Above, a flock of starlings launched and circled, a counter-nebula of black on blue. Below, the fat rats scattered.
Across no man’s land, the soldiers flew up in the air, and fell, and the earth flew up in the air, and fell, and buried them whether they were dead or not.
And the German artillery responded, and it all doubled, redoubled, an exponential vastness, and in Berlin wives and girlfriends sat up at night desks and in beds.
Locke and Purefoy had been ready for it. That edge was on the night, the edge that leaked something coming . . . something else, beyond the ordinary filth. Everyone wore a dulled alertness, so when they started, though it was a shock, well, it was always a shock.
Locke was by the sack-flap entrance to the dugout, smoking, humming softly a song he was composing, about bats.
Purefoy was staring out through a periscope from the fire-step, thinking about Ainsworth, Couch, Ferdinand and Dowland, and Dowland’s brother, and Bloom, Atkins, Burdock, Taylor, Wester . . . and the rest. He was reciting their names, all the names he could remember, and their qualities, and trying to remember their faces, and their voices, their Christian names, and their little ways, and how they had died, and when, and where.
As the string of mines went monumentally up across the way, little landslides of earth trickled down from the ratty timber-and-sandbag ceiling on to their tea-chest desk. Locke grabbed his head, elbows round his ears. He barked, loudly, wordlessly – then flung his arms out, and strode into the body of the trench. Purefoy was already moving along the line, joking, clapping the men on their shoulders.
