Over the Border: A Novel

Over the Border: A Novel
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Книга "Over the Border: A Novel", автором которой является Herman Whitaker, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Herman Whitaker позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Whitaker настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Over the Border: A Novel" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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I: THE THREE BAD MEN OF LAS BOCAS

The Three had chosen their lair wisely.

In the picturesque Spanish phrase, it “situated itself” midway of the desert, the great Mexican desert that is more varied in its heated monotony than a land of woods and fields and streams. Here it runs to sparse grass land under upland piñon; there spreads over wide, clean sands that reflect like burnished brass the intolerable glare of the sun. Now it marches for leagues with the yuccas that fling crazed arms and shrunken limbs like posturing dwarfs; again it is dotted with lonelymesas, monolithic masses that raise orange and vermilion facades out of a violet mirage. A magic land it is, made out of shattered rainbows, girded with crimson-and-gold mountains that wear around their high foreheads cooling bandages of snow; a land of deathless calms, cyclonic storms, torrential rains, peopled only by the vultures that wheel against the sky and the little golden dust-whorls which dance together over its heated face. A country where dwells the very spirit of romance; of which anything might be predicted and come to pass; therefore, as before said, the very place for a lair.

Secondly, the Three had shown a nice discrimination in the selection of a site. Its capacities in the way of offense and defense would have earned the instant commendation of a medieval baron, Mexican bandit, revolutionist, or “movie” director in search of an ideal robber’s roost. Years ago a Yankee “prospector” with more faith than sense and money enough to have left prospecting severely alone, had kept a raft ofpeones busy for the better part of two years ripping the heart out of a mountain-top in a feverish search for fabulous gold. Rumors that still linger in Sonora jacales tell that the gringo worked under the direction of the spirits – or a spiritualist, which may or may not be quite the same. The results – to wit, a huge gap in the mountain and an abandoned adobe powder house, now serving as a residence for the Three Bad Men – seem to favor the rumor. Spirits were never good miners. But that is neither here nor there, the Three concerning themselves only with the natural fortifications they thus inherited.

The adobe stood well back in a semicircular gap, protected on three sides by the curving walls of the excavation. Behind them, the mountain dropped almost a thousand feet sheer, and the level bench in front of the house could only be gained by a narrow path that fell like a yellow snake down the steep slopes into thick chaparral. From its edge one overlooked the vast reaches of the central Sonora desert, an ashen sea of sage and mimosa shored in by far mountains that loomed dusky purple or stood out stark yellow as they happened to lie to the sun. Since the Yankee went back on his “controls,” or they on him, a sahuaro cactus had raised its fluted barrel within the excavation, captaining a squad of dwarf yuccas that poked grotesque arms in pathetic entreaty out of the rubble. To these natural improvements the Three had added aramada, broad porch of poles and cornstalks, in the shade of which they took their ease one hot nooning, two playing pedro at a rough wooden table while the third dozed and nodded with stool tilted back against the adobe wall.

It did not require more than a cursory glance to know the Three for members of that sad colony which is doomed by its past to remain on the wrong side of the Mexican border. Beginning with Sliver Smith, the sleeper; his drowsy lids hid blue eyes that were hard as chips of agate and exactly fitted his reckless face. Just now sleep had softened its lines and brought a certain underlying good-nature. But for the mouth and deep creases down each side of the nose, which bespoke passions violent and unrestrained, one would have put him down now for that which he had been – a cowman from the New Mexican ranges.

The other two, however, really looked the “bad man.” “Bull” Perrin, the biggest and eldest, might have been especially cast by nature for the part. Big, burly, black-visaged, and heavy-jowled, excessive drinking had dyed his face out of all relation to the creamy skin the gods had given him. The hot brown eyes under straight bushy brows bespoke a cyclonic temper. But though Bull conveyed the impression of an “ugly customer” at first sight, a physiognomist would have picked Jake Evers, his partner, as a far more dangerous man. The cold, bleak sparks of eyes in his lean, lantern-jawed face scintillated with cunning. But for a certain humor that lurked about the corners of his mouth, his face would have been utterly repulsive.

Yet after granting their “badness,” there was about them no taint of the mean, rat-like wickedness of the city criminal. Their composite was of strong impulses, misdirected forces gone to waste, of men cast by birth in a wrong age. In the councils of a nation in the olden time, their strength, ferocity, would have gained them power and place; here, out in the desert, they exactly fitted their environment. As much as the horned toad in the sand at Bull’s feet, as much as the lizard that coursed swiftly along the adobe wall above the sleeper’s head; as much as the



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