Puppets at Large: Scenes and Subjects from Mr Punch's Show

Puppets at Large: Scenes and Subjects from Mr Punch's Show
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Книга "Puppets at Large: Scenes and Subjects from Mr Punch's Show", автором которой является F. Anstey, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, F. Anstey позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Anstey настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Puppets at Large: Scenes and Subjects from Mr Punch's Show" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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DOING A CATHEDRAL

(A Sketch From the Provinces.)

The interior of Dulchester Cathedral. Time —About 12.30. The March sunshine slants in pale shafts through the clerestory windows, leaving the aisles in shadow. From without, the cawing of rooks and shouts of children at play are faintly audible. By the West Door, a party of Intending Sightseers have collected, and the several groups, feeling that it would be a waste of time to observe anything in the building until officially instructed to do so, are engaged in eyeing one another with all the genial antipathy and suspicion of true-born Britons.

A Stodgy Sightseer (to his friend). Disgraceful, keeping us standing about like this! If I'd only known, I'd have told the head-waiter at the "Mitre" to keep back those chops till —

[He breaks off abruptly, finding that the chops are reverberating from column to column with disproportionate solemnity; a white-haired and apple-faced verger rustles down from the choir and beckons the party forward benignantly, whereupon they advance with a secret satisfaction at the prospect of "getting the cathedral 'done' and having the rest of the day to themselves;" they are conducted to a desk and requested, as a preliminary, to put sixpence apiece in the Restoration Fund box and inscribe their names in a book.

Confused Murmurs. Would you put "Portico Lodge, Camden Road, or only London?"… Here, I'd better sign for the lot of you, eh?.. They might provide a better pen – in a cathedral, I do think!.. He might have given all our names in full instead of just "And party!"… Oh, I've been and made a blot – will it matter, should you think?.. I never can write my name with people looking on, can you?.. I'm sure you've done it beautifully, dear!.. Just hold my umbrella while I take off my glove, Maria… Oh, why don't they make haste? &c., &c.

[The Stodgy Sightseer fumes, feeling that, while they are fiddling, his chops are burning.

The Verger. Now, ladies and gentlemen, if you will please to follow me, the portion of the building where we now are is part of the original hedifice founded by Ealfrytha, wife of Earl Baldric, in the year height 'undred heighty-height, though we 'ave reason to believe that an even hearlier church was in existence 'ere so far back as the Roman occupation, as is proved by a hancient stone receptacle recently discovered under the crypt and hevidently used for baptismal purposes.

A Spectacled S. (who feels it due to herself to put an intelligent question at intervals.) What was the method of baptism among the Early Christians?

The Verger. We believe it to 'ave been by total immersion, Ma'am.

The Spect. S. Oh? Baptists!

[She sets down the Early Christians as Dissenters, and takes no further interest in them.

The Verger. At the back of the choir, and immediately in front of you, is the shrine, formerly containing the bones of St. Chasuble, with relics of St. Alb. (An Evangelical Sightseer snorts in disapproval.) The 'ollow depressions in the steps leading up to the shrine, which are still visible, were worn away, as you see, by the pilgrims ascending on their knees. (The party verify the depressions conscientiously, and click their tongues to express indulgent contempt.) The spaces between the harches of the shrine were originally enriched by valuable gems and mosaics, all of which 'ave now long since disappeared, 'aving been removed by the more devout parties who came 'ere on pilgrimages. In the chapel to your left a monument with recumbent heffigies of Bishop Buttress and Dean Gurgoyle, represented laying side by side with clasped 'ands, in token of the lifelong affection between them. The late Bishop used to make a rather facetious remark about this tomb. He was in the 'abit of observing that it was the honly instance in his experience of a Bishop being on friendly terms with his Dean. (He glances round for appreciation of this instance of episcopal humour, but is pained to find that it has produced a general gloom; the Evangelical Sightseer, indeed, conveys by another and a louder snort, his sense that a Bishop ought to set a better example.) In the harched recess to your right, a monument in painted halibarster to Sir Ralph Ringdove and his lady, erected immediately after her decease by the disconsolate widower, with a touching inscription in Latin, stating that their ashes would shortly be commingled in the tomb. (He pauses, to allow the ladies of the party to express a becoming sympathy – which they do, by clicks.) Sir Ralph himself, however, is interred in Ficklebury Parish Church, forty mile from this spot, along with his third wife, who survived him.

[The ladies regard the image of Sir Ralph with indignation, and pass on; the Verger chuckles faintly at having produced his effect.

The Evangelical S. (snuffing the air suspiciously). I'm sorry to perceive that you are in the habit of burning incense here!

[He looks sternly at the Verger, as though to imply that it is useless to impose upon him.

The Verger. No, Sir, what you smell ain't incense – on'y the vaults after the damp weather we've bin 'aving.



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