Running Blind / The Freedom Trap

DESMOND BAGLEY

To be encumbered with a corpse is to be in a difficult position, especially when the corpse is without benefit of death certificate. True, any doctor, even one just hatched from medical school, would have been able to diagnose the cause of death. The man had died of heart failure or what the medical boys pompously call cardiac arrest.

The proximate cause of his pumper having stopped pumping was that someone had slid a sharp sliver of steel between his ribs just far enough to penetrate the great muscle of the heart and to cause a serious and irreversible leakage of blood so that it stopped beating. Cardiac arrest, as I said.

I wasn’t too anxious to find a doctor because the knife was mine and the hilt had been in my hand when the point pricked out his life. I stood on the open road with the body at my feet and I was scared, so scared that my bowels loosened and the nausea rose in my throat to choke me. I don’t know which is the worse – to kill someone you know or to kill a stranger. This particular body had been a stranger – in fact, he still was – I had never seen him before in my life.

And this was the way it happened.

Less than two hours previously the airliner had slid beneath the clouds and I saw the familiar, grim landscape of Southern Iceland. The aircraft lost height over the Reykjanes Peninsula and landed dead on time at Keflavik International Airport, where it was raining, a thin drizzle weeping from an iron grey sky.

I was unarmed, if you except the sgian dubh. Customs officers don’t like guns so I didn’t carry a pistol, and Slade said it wasn’t necessary. The sgian dubh – the black knife of the Highlander – is a much underrated weapon if, these days, it is ever regarded as a weapon at all. One sees it in the stocking tops of sober Scotsmen when they are in the glory of national dress and it is just another piece of masculine costume jewellery.

Mine was more functional. It had been given to me by my grandfather who had it off his grandfather, so that made it at least a hundred and fifty years old. Like any good piece of killing equipment it had no unnecessary trimmings – even the apparent decorations had a function. The ebony haft was ribbed on one side in the classic Celtic basket-weave pattern to give a good grip when drawing, but smooth on the other side so it would draw clear without catching; the blade was less than four inches long, but long enough to reach a vital organ; even the gaudy cairngorm stone set in the pommel had its use – it balanced the knife so that it made a superlative throwing weapon.