Semicolon: How a misunderstood punctuation mark can improve your writing, enrich your reading and even change your life

Semicolon: How a misunderstood punctuation mark can improve your writing, enrich your reading and even change your life
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‘Fascinating… I loved this book; I really did’ David Crystal, Spectator A biography of a much misunderstood punctuation mark and a call to arms in favour of clear expression and against stifling grammar rules. Cecelia Watson used to be obsessive about grammar rules. But then she began teaching. And that was when she realized that strict rules aren’t always the best way of teaching people how to make words say what they want them to; that they are even, sometimes, best ignored. One punctuation mark encapsulates this thorny issue more clearly than any other. The semicolon. Hated by Stephen King, Hemingway, Vonnegut and Orwell, and loved by Herman Melville, Henry James and Rebecca Solnit, it is the most divisive punctuation mark in the English language, and many are too scared to go near it. But why? When is it effective? Have we been misusing it? Should we even care? In this warm, funny, enlightening and thoroughly original book, Cecelia Watson takes us on a whistle-stop tour of the surprising history of the semicolon and explores the remarkable power it can wield, if only we would stop being afraid of it. Forget the rules; you’re in charge. It’s time to make language do what you want it to.

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For my parents,

who made sure I always had enough to read

Punctuation is a gentle and unobtrusive art that has long been one of the misfortunes of man. For about three hundred years it has been harassing him, and bewildering him with its quiet contrariness, and no amount of usage seems to make him grow in familiarity with the art.

‘Power of Points: Punctuation That Upset Work of Solons’, Boston Daily Globe, 20 January 1901

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Contents

7  Introduction: Love, Hate and Semicolons

8  I: Deep History

9  II: The Science of Semicolons

10  III: Sexy Semicolons

11  IV: Loose Women and Liquor Laws

12  V: The Minutiae of Mercy

13  VI: Carving Semicolons in Stone

14  VII: Semicolon Savants

15  VIII: Persuasion and Pretension

16  Conclusion: Against the Rules?

17  Acknowledgements

18  Notes

19  Index

20  About the Author

21  About the Publisher

LandmarksCoverFrontmatterStart of ContentBackmatter

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Yet what Campbell and most of his contemporaries thought was a ‘preposterous’ idea soon became a commonplace principle: as the 1700s drew to a close, new grammar books began to espouse systems of rules that were purportedly derived from logic. In these new books, grammarians didn’t hesitate to impugn the grammar of writers traditionally considered superb stylists: Milton and Shakespeare were chastised for ‘gross mistakes’, and subjected to grammarians’ emendations, so that these great authors’ works were made to fall in line with rules established centuries after their deaths.



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