MICHELE CAMPBELL is a graduate of Harvard University and Stanford Law School. She worked at a prestigious Manhattan law firm before spending eight years fighting crime in NYC as a federal prosecutor. Her debut novel It’s Always The Husband was a Sunday Times top ten bestseller.
Copyright
An imprint of HarperCollins Publishers Ltd
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First published in Great Britain by HQ in 2019
Copyright © Michele Rebecca Martinez Campbell 2019
Michele Campbell asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © January 2019 ISBN: 9780008301828
Praise for Michele Campbell
‘A page-turning whodunnit that will speak to anyone who’s ever had a frenemy.’
Ruth Ware
‘A gripping, tangled web of a novel – it pulls you in and doesn’t let you go. I loved it!
Shari Lapena
‘Secrets and scandals in an ivy league setting. What could be more riveting?’
Tess Gerritsen
‘A skillful and addictive story of friendship, betrayal and ultimately love, It’s Always The Husband will keep you turning the pages until its dramatic end.’
B A Paris
‘A brilliantly layered, utterly compelling, clever mystery story that crackles with poisoned friendships and dirty secrets… Twisted, shocking and sharply observed. It’s Always The Husband has blockbuster movie written all over it!’
Samantha King
‘A gripping page-turner…will suit fans of Liane Moriarty.’
Hello!
‘Readers will… be drawn in to the novel’s intricate exploration of divided loyalties and the brittleness of trust.’
Publishers Weekly
The only quiet woman is a dead one.
—SYLVIA PLATH
1
February
They locked her in the infirmary and took away her phone and anything she might use to harm herself—or someone else. The school didn’t tout this in its glossy brochures, but that’s how it handled kids suspected of breaking the rules. Lock them in the infirmary, isolate them, interrogate them until they crack. Usually you got locked up for cheating on a test or smoking weed in the woods. In the worst-case scenario, hazing. Not murder.
She lay on the narrow bed and stared at the ceiling. They’d given her sedatives at first, and then something for the pain. But her head still pounded, and her mind was restless and foggy all at once. A large lump protruded from the back of her skull. She explored it with her fingers, trying to remember what had caused it. At the edge of her consciousness, something terrible stirred, and she pushed it away. If she turned off the light, she would see it, that thing at the edge of the lake.
That thing. Her sister. Her twin.
All across campus on this cold, dead night, silence reigned. She was being accused of a terrible crime, and there was nobody to speak in her defense. They’d called her grandmother to come defend her. But her grandmother believed she was guilty. Even her closest friends suspected her, and she had to admit, they had reason to. She and her sister were close once, but this awful school had changed that. They’d come to doubt each other, to talk behind each other’s backs, to rat on each other for crimes large and small, to steal from one another. Mere days earlier, they’d gotten into a physical fight so intense that the girl who interceded wound up with a black eye. That girl hadn’t told—yet. But she would now.
It wasn’t fair. Just because they’d had a fight didn’t mean she would kill her sister. How could she? Her sister was the only family she had left. Everybody else had died, or abandoned her. Why would she hurt her only family, her only friend? But every time she closed her eyes, she saw the blood on her hands, the stab wounds, the long hair fanned out. Her sister’s face, white and still in the moonlight. She was there when it happened. Why? It couldn’t be because she was the killer. That wasn’t true. She was innocent. She knew it in her heart.