Sketching

Sketching
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An essential little ebook – perfect for the pocket or art bag – covering all practical aspects of sketching and drawing. Sketching is a skill that every artist needs to master and this handy book shows you how in a very clear and simple way.Jackie starts by describing all the different media used for sketching, including pencils, charcoal, coloured pencils, pens, pastels, watercolours and gouache, as well as the different types of sketchbooks. She then looks at the basic techniques of sketching, emphasizing the importance of observation and showing how to make marks, use tone, create 3-D form and portray pattern.She then covers a wide range of subjects, such as plants and flowers, skies, animals, the urban landscape, and figures and portraits, explaining how to compose your sketches and giving useful tips about sketching on the move. There’s also a fascinating section on sketching from the Masters, to provide additional inspiration.The instruction is clear and concise throughout, providing an ideal resource for artists of all levels to dip into when sketching out on location.

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Contents

COVER

TITLE PAGE

Tone with wet media

PART TWO: DEVELOPING SKILLS

MAPPING TONES

Subtle forms

MEASURING

How to measure

NEGATIVE SHAPES

Sharpen your observation

UNDERSTANDING COLOUR

The colour wheel

Translating tone into colour

COMPOSITION

Placing shapes

Composition guidelines

Thumbnail sketches

Focal point

BEGINNING TO SKETCH

Quick drawings

Ellipses

Sharper observation

Working to a theme

Sketching from the Masters

The coloured sketchbook

SCALING UP FROM SKETCHES

Simple method

WORKING WITH PHOTOS

Using a camera

USING A COMPUTER

Photographs

PART THREE: SUBJECTS

PLANTS AND FLOWERS

What shall I work with?

Close studies

Garden flowers

Wild flowers

LANDSCAPES

What shall I work with?

Creating depth

Landscape textures

Trees

Skies

Shadows

Animals in the landscape

URBAN SCENES

What shall I work with?

Sketching buildings

Perspective

Architectural textures

WATER

What shall I work with?

Stillwater

Moving water

Waterfalls

The coast

Waves and breakers

The beach

Rocks

Cliffs

Figures on the beach

Boats

Harbour paraphernalia

FIGURES

What shall I work with?

Measuring figures

Figure dynamics

Figure perspective

Figure groups

Figure’quickies’

Counterchange

Portrait basics

Features

Portrait studies

FURTHER INFORMATION

INDEX

KEEP READING

ABOUT THE AUTHOR

COPYRIGHT

ABOUT THE PUBLISHER

So often I hear people say ‘I wish I could draw, but I can’t even draw a straight line’. Well, actually, neither can I but even someone who cannot draw a straight line can learn to draw. All you require is a few basic essentials, in terms of materials, and lots of enthusiasm. You need patience, too, because you have to learn how to see before you start to draw, and your skills will develop slowly. However, with enthusiasm and determination, you will learn, and you will improve.


Sketching in the Olive Grove

17x25 cm (7x10in)

This sketch in watercolour and gouache was done in Greece.

Leaving areas of white paper gives a lively feel.

You will find some fairly accomplished drawings within the pages of this book, but please remember that I have been sketching and drawing for many years. I was equally inexperienced when I began, but I persevered and now can draw reasonably well.The good news is that you, too, will reach a level of competence in the fullness of time. The important thing is to enjoy the practice, and you will find that your sketchbooks and drawings will become items to treasure over the years.

DRAWING VERSUS SKETCHING

Sketching is a kind of visual shorthand - the best sketches are done quickly, and there is little emphasis on ‘finish’. A sketch can be loose and spontaneous. Drawing, however, is a slower and more deliberate process. The artist takes time to develop a more elaborate, detailed, intensely observed image.

You will find both sketches and drawings in the pages of this book. I recommend that you aim to fill your sketchbooks with both sketches and drawings. In this way, you will develop both your observational and your technical skills to the full, which will feed your confidence - and your sense of enjoyment. Above all, don’t worry! No-one need see your sketchbooks until you are ready to show them. This is a wonderful journey, and you will have lots of fun along the way.

One of the great things about sketching and drawing is you do not need masses of kit. You can use just about anything which makes a mark! I will show you how to work with pencils, pens, pastels and watercolours as well as brush pens, fibre tips, watersoluble pens and pencils. Try everything and, as you master your materials, you will quickly discover what you like best, and what best suits the subjects you choose.Gradually,you will feel the joy of creation and will achieve, on the two-dimensional pages of your sketchbook, drawings and sketches that represent our three-dimensional world.


Sunlit Awnings

25x17cm(13x7in)

This image was sketched on the spot in Venice, using a tiny pocket watercolour box. When sketching outdoors, sit with your back to a wall to prevent people looking over your shoulder.

Our art materials shops are awash with drawing and sketching ‘implements’ but, to save confusion, I have selected only a few for you to try. There is no point in purchasing masses of equipment when you can produce excellent drawings and sketches with just the materials that are used in this book.


Chateau Across the Field

15 x 15 cm (6 x 6 in) 3B pencil in sketchbook

The most obvious sketching tool is a pencil. Graphite pencils are graded - 9H is the hardest whereas 9B is the softest. I suggest that you try an HB, a 2B and a 4B. The softer pencils will give you greater sensitivity of line and richer darks. Some graphite pencils are now watersoluble,allowing for interesting soft effects when the marks are melted with water.



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