Specials: Based on the BBC TV Drama Series: The complete novels in one volume

Specials: Based on the BBC TV Drama Series: The complete novels in one volume
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This novel, based on the groundbreaking BBC TV drama series, shows how it takes both guts and a sense of humour to become a part-time policeman. It was adapted by the series’ creators from all twelve episodes, four of which are published here for the first time.‘You’ll learn what it’s like out there in the streets, and we’ll learn whether you’re competent to wear the uniform.’From nine to five, they are like the rest of us. Come the twilight, they don the blue uniform with pride, and volunteer their spare time to share the night vigil of the Bobby on the beat.BOB LOACH, a partner in a coach tour business, is ‘all grease and few graces’, with an ambition to be the first millionaire Special. ANJALI SHA is an NHS physiotherapist who treads the minefield of conflicting traditions: ‘My family think it’s a bad business for a well brought-up Hindu girl to prowl the streets at night with a man.’ JOHN REDWOOD is a solicitor with an unshakable belief in the decency of his fellow-man. VIV SMITH is a young bank clerk: ‘It might come as a surprise to you, Sarge, but not all women come with a built-in maternal expertise of how to deal with kids.’ And FREDDY CALDER, an overweight salesman of ladies’ lingerie, conceals a shy and sentimental heart under a brash exterior.Five ordinary people whose commitment makes them extraordinary.

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book cover image

SPECIALS

THE COMPLETE NOVELS

Created, written and produced by

BRIAN DEGAS

&

HARRY ROBERTSON



COLLINS CRIME CLUB

an imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Specials: Have a Nice Parade and Specials: Ask ’Em, Tell ’Em, Lift ’Em

first published in Great Britain by Fontana 1991

Specials: Over and Out first published in this volume 2017

Copyright © Brian Degas and Harry Robertson 1991, 2017

Cover layout design © HarperCollinsPublishers Ltd 2017

Brian Degas and Harry Robertson assert the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008260590

Ebook Edition © November 2017 ISBN: 9780008260606

Version: 2017-09-07

Table of Contents

Cover

Title Page

Copyright

Part I: Have a Nice Parade

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Part II: Ask ’em, Tell ’em, Lift ’em

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Part III: Over and Out

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

About the Authors

About the Publisher

•••••

He barely noticed the car on his tail, holding just behind and to the right, where it shouldn’t be. Yet somehow he could sense the danger lurking over his shoulder.

Unfortunately, as he made his way along the freeway into Birmingham, Special Constable Freddy Calder’s conscious mind was elsewhere. In fact, he was on the car-phone.

‘Hi, John. Look here, I’ll be with you in …’

Raising his wrist with a snap, almost a salute, Freddy checked his Rolex – actually, an imitation Rolex, but at a quick glance no one was ever the wiser.

‘… twenty minutes. And, old chum, what I have to show you is sensational.’

His gaze momentarily shifted to the sample case lying on the passenger seat, open just enough to offer a tantalizing glimpse of lingerie, a pair of sheer lace panties to be exact. Freddy’s talent was to imagine just how they would look on virtually anyone he knew, or thought he knew, or even conceived in his waking dreams of knowing. Of course, lying on the back seat was his model, ‘Salvador Dolly’, a curvaceous cut-out figure of an ideal woman wearing only her underwear every hour of the day.

‘Listen, this latest stuff’s so light you better hold on tight to your secretary when she wears them.’

They shared a low, lascivious laugh reserved for men talking about women. Whenever he sensed a customer had the same thoughts in mind, Freddy would start counting his money.

Accidentally and simultaneously, his car veered into the right lane, although he made a swift correction in steering with a slight move of his finger. It was then that he noticed the car on his tail: a maroon Audi, a ‘mean machine’. Suddenly he was alert, but gave no outward or visible sign of alarm.

‘Well, ’course in that case she’s travelling as light as she can get. Yeah. Fantasy Island … Don’t we all! See you.’

Before he could put away the car-phone and look back to his wing mirror, he heard a Luftwaffe motor roaring behind him. Getting louder, the Audi pulled in parallel with him, then swerved toward him and back, as if testing his mettle, before finally surging ahead full throttle.



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