Storyteller: The Life of Roald Dahl
The authorised biography of one of the greatest storytellers of all time, written with complete and exclusive access to the archives stored in the Roald Dahl Museum and Story Centre.Roald Dahl pushed children's literature into new and uncharted territory. More than fifteen years after his death, his popularity around the globe continues to grow, and worldwide sales of his books have now topped 100 million.The man behind the stories, however, remains an enigma. Dahl was a single-minded adventurer, an eternal child, but his public persona was characterised by his blunt opinions on taboo subjects. Described as an anti-Semite, a racist and a misogynist, he felt ignored and undervalued by the literary establishments of London and New York.To his readers, though, Dahl was always a hero, and since his death his reputation has been transformed. His wild imagination is now celebrated, along with his quirky humour and his linguistic elegance. Figures like Willy Wonka, the BFG and the Grand High Witch are nothing less than immortal literary creations, and in a recent poll he beat J. K. Rowling to win the title of Britain's favourite author.In this masterly biography, Donald Sturrock draws on a huge range of source material that has become available since Dahl's death. The result is revealing, compelling and a pure joy to read.
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DONALD STURROCK
Storyteller
The Life of Roald Dahl
Harper Press
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
First published in Great Britain by HarperPress in 2010
This ebook edition first published in 2010
Copyright © Donald Sturrock 2010
Cover photograph © Time & Life Pictures/Getty Images
Some images were unavailable for the electronic edition.
Donald Sturrock asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007254774
Ebook Edition © SEPTEMBER 2010 ISBN: 9780007397068
Version: 2016-10-12
For my parents, Gordon and Margaret
I don’t lie. I merely make the truth a little more interesting …
I don’t break my word—I merely bend it slightly….
ROALD DAHL, from his Ideas Books, No. 1 (c. 1945-48)
Contents
Copyright
PROLOGUE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
Notes
Bibliography
Index
About the Author
Acknowledgements
About the Publisher
Lunch with Igor Stravinsky
ROALD DAHL THOUGHT BIOGRAPHIES were boring. He told me so while munching on a lobster claw. I was twenty-four years old and had been invited for the weekend to the author’s home in rural Buckinghamshire. Dinner was in full swing. A mixture of family and friends were devouring a platter brimming with seafood, while a strange object, made up of intertwined metal links, made its slow way around the table. The links appeared inseparable, but Dahl had told us all they could be separated quite easily by someone with sufficient manual dexterity and spatial awareness. So far none of the guests had been able to solve it. As I waited for the puzzle to come round to me, I tried to respond to Roald’s disdain for biography. I mentioned Lytton Strachey, Victoria Glendin-ning, Michael Holroyd. But he wasn’t having any of it. Sitting in a high armchair, at the head of his long pine dining table, he leaned back, took a swig from his large glass of Burgundy, and returned to his theme with renewed relish. Biographers were tedious fact-collectors, he argued, unimaginative people, whose books were usually as enervating as the lives of their subjects. With a glint in his eye, he told me that many of the most exceptional writers he had encountered in his life had been unexceptional as human beings. Norman Mailer, Evelyn Waugh, Thomas Mann and Dr Seuss were, I recall, each dismissed with a wave of his large hand, as tiresome, vain, dreary or insufferable. He knew I loved music and perhaps that was why he also mentioned Stravinsky. “An authentic genius as a composer,” he declared, throwing back his head with a chuckle, “but otherwise quite ordinary.” He had once had lunch with him, he added, so therefore he spoke from experience. I tried to think of subjects whose lives were as vivid as their art: Mozart, Caravaggio, Van Gogh perhaps? His intense blue eyes looked straight at me. That wasn’t the point, he said. Why on earth would anyone choose to read an assemblage of detail, a catalogue of facts, when there was so much good fiction around as an alternative? Invention, he declared, was always more interesting than reality.
As I sat there, observing the humorous but combative glint in his eye, I sensed that, like a boxer, he was sparring with me. He had thrown a punch and been pleased that I jabbed back. Now he had thrown me another. This one was more difficult to parry. It would be hard to take it further without the exchange becoming detailed and perhaps wearisome. I hesitated. I wondered at his own life. He had just written two volumes of memoirs, one of which he had given to me to read in draft. So I knew the rough outline of his first twenty-five years: Norwegian parents, a childhood in Wales, miserable schooldays, youthful adventures in Newfoundland and Tanganyika, flying as a fighter pilot, a serious plane crash, then a career as a wartime diplomat in Washington. I had already told him privately that I found the books compelling. Did he want me to repeat the compliment over dinner as well? It was hard to tell. At that moment the metal links were presented to me and the conversation moved on. Soon, too, his huge pointy fingers had plucked the puzzle from my inept hands and he had begun confidently to demonstrate its solution. Later on, at the end of a meal which had concluded with the offer of KitKats and Mars Bars dispensed from a small red plastic box, he took his two dogs out into the garden. A few minutes later he returned, wished everyone good night, and retired theatrically from the public space of the drawing room into the privacy of his bedroom.
