Published by Avon an imprint of
HarperCollinsPublishers Ltd
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London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollinsPublishers 2016
Copyright © Paul Finch 2016
Cover photographs © Arcangel Images / GalleryStock / Stephen Mulcahey
Cover design © Henry Steadman 2016
Paul Finch asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007551316
Ebook Edition © September 2016 ISBN: 9780007551323
Version: 2017-10-26
‘Wonderfully dark and peppered with grim humour. Finch is a born storyteller and writes with the authentic voice of the ex-copper he is.’
PETER JAMES
‘Edge-of-the-seat reading … formidable – a British Alex Cross.’
THE SUN
‘An ingenious and original plot. Compulsive reading.’
RACHEL ABBOTT
‘A deliciously twisted and fiendish set of murders and a great pairing of detectives.’
STAV SHEREZ
‘Avon’s big star … part edge-of-the-seat, part hide-behind-the-sofa!’
THE BOOKSELLER
‘An explosive thriller that will leave you completely hooked.’
WE LOVE THIS BOOK
Four years ago …
Michael Haygarth didn’t look much like a man who’d raped and murdered two women, but then Lucy had already learned that there was no set physiology for the deranged. He sat on the bench opposite her in the rear of the unmarked police van. Throughout the journey here he’d remained perfectly still, his head hanging low as though the muscles in his neck and shoulders couldn’t support it.
It was an awkward posture. Haygarth was tall, about six-four, but lanky too, and, folded into this confined space, his sharp-tipped knees came almost to his chest. He was somewhere in his forties, she surmised, though she couldn’t be sure exactly, and balding, what little hair he had left around the back and sides shaved to grey bristles. His skin was brownish, tanned – as if he’d spent time abroad or maybe was of mixed-race, though apparently neither of those applied. With his weak chin, snub nose and buck teeth, he had a rodent-like aspect, and yet there was something oddly innocent about him. From his glazed eyes and vacant expression you’d have wondered if he wasn’t all there. There was certainly no hint of violence in his demeanour. Rather than a murder suspect, he looked the sort of hopeless, unemployed oddball who’d sit on park benches all day.
And yet he’d confessed. Under no duress whatsoever.
With a crunch of brakes, the van ground to a halt, presumably on the unmade track leading into Borsdane Wood, though it was impossible to be sure because the only windows in the rear of the van were small, mesh-filled panels set in its back doors, and only gloom penetrated past these, unaided by their dim, smeary glass. There was muffled movement as the other detectives crammed into the back of the vehicle stirred. Metal bumped and clanked as they sorted through the pile of spades and picks lying along the riveted steel floor.
The van’s back doors were yanked open from the outside. Frigid air flowed in, smoky breath weaving around the tall, lean form of DI Doyle and the shorter, stumpier figure of DS Crellin. They’d already donned their white Tyvek coveralls and disposable gloves, and now stood with torches in hand.
‘Michael, it’s your time,’ Doyle said, flipping open her pocketbook. ‘I’ve got all your instructions written down. But I want to confirm them with you. We’re at the end of this track now, where the bollards are … so we go on foot from here, approximately forty paces north, yes?’