The Bondwoman

The Bondwoman
О книге

Книга "The Bondwoman", автором которой является Marah Ryan, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Marah Ryan позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Ryan настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Bondwoman" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

Автор

Читать The Bondwoman онлайн беплатно


Шрифт
Интервал

CHAPTER I

Near Moret, in France, where the Seine is formed and flows northward, there lives an old lady named Madame Blanc, who can tell much of the history written here–though it be a history belonging more to American lives than French. She was of the Caron establishment when Judithe first came into the family, and has charge of a home for aged ladies of education and refinement whose means will not allow of them providing for themselves. It is a memorial founded by her adopted daughter and is known as the Levigne Pension. The property on which it is established is the little Levigne estate–the one forming the only dowery of Judithe Levigne when she married Philip Alain–Marquis de Caron.

There is also a bright-eyed, still handsome woman of mature years, who lives in our South and has charge of another memorial–or had until recently–a private industrial school for girls of her own selection. She calls herself a creole of San Domingo, and she also calls herself Madame Trouvelot–she has been married twice since she was first known by that name, for she was never the woman to live alone–not she; but while the men in themselves suited her, their names were uncompromisingly plain–did not attract her at all. She married them, proved a very good wife, but while one was named Johnson, and another Tuttle, the good wife persisted in being called Madame Trouvelot, either through sentiment or a bit of irony towards the owner of that name. But, despite her vanities, her coquetries, and certain erratic phases of her life, she was absolutely faithful to the trust reposed in her by the Marquise; and who so capable as herself of finding the poor girls who stood most in need of training and the shelter of charity? She, also, could add to this history of the woman belonging both to the old world and the new. There are also official records in evidence of much that is told here–deeds of land, bills of sale, with dates of marriages and deaths interwoven, changed as to names and places but–

There are social friends–gay, pleasure-loving people on both sides of the water–who could speak, and some men who will never forget her.

One of them, Kenneth McVeigh, he was only Lieutenant McVeigh then!–saw her first in Paris–heard of her first at a musicale in the salon of Madame Choudey. Madame Choudey was the dear friend of the Countess Helene Biron, who still lives and delights in recitals of gossip belonging to the days of the Second Empire. The Countess Helene and Mrs. McVeigh had been school friends in Paris. Mrs. McVeigh had been Claire Villanenne, of New Orleans, in those days. At seventeen she had married a Col. McVeigh, of Carolina. At forty she had been a widow ten years. Was the mother of a daughter aged twelve, and a six-foot son of twenty-two, who looked twenty-five, and had just graduated from West Point.

As he became of special interest to more than one person in this story, it will be in place to give an idea of him as he appeared in those early days;–an impetuous boy held in check, somewhat, by military discipline and his height–he measured six feet at twenty–and also by the fact that his mother had persisted in looking on him as the head of the family at an age when most boys are care-free of such responsibilities.

But the responsibilities had a very good effect in many ways–giving stability and seriousness to a nature prone, most of all, to pleasure-loving if left untrammelled. His blue eyes had a slumberous warmth in them; when he smiled they half closed and looked down on you caressingly, and their expression proved no bar to favor with the opposite sex. The fact that he had a little mother who leaned on him and whom he petted extravagantly, just as he did his sister, gave him a manner towards women in general that was both protecting and deferential–a combination productive of very decided results. He was intelligent without being intellectual, had a very clear appreciation of the advantages of being born a McVeigh, proud and jealous where family honor was concerned, a bit of an autocrat through being master over extensive tracts of land and slaves by the dozen, many of them the descendents of Africans bought into the family from New England traders four generations before.

Such was the personality of the young American as he appeared that day at Madame Choudey’s; and he looked like one of the pictured Norse sea kings as he towered, sallow and bronzed, back of the vivacious Frenchmen and their neighbors of the Latin races.

The solo of the musicale had just ended. People were thronged about the artiste, and others were congratulating Madame Choudey on her absolute success in assembling talent.

“All celebrities, my lad,” remarked Fitzgerald Delaven as he looked around. The Delavens and the McVeighs had in time long past some far-out relationship, and on the strength of it the two young men, meeting thus in a foreign country, became at once friends and brothers;–“all celebrities and no one so insignificant as ourselves in sight. Well, now!–when one has to do the gallant to an ugly woman it is a compensation to know she is wondrous wise.”



Вам будет интересно