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The Painted Man First published in Great Britain by HarperVoyager 2008 Copyright © Peter V. Brett 2008 Cover Layout Design © HarperCollinsPublishers Ltd 2013
The Desert Spear First published in Great Britain by HarperVoyager 2010 Copyright © Peter V. Brett 2010 Cover Layout Design © HarperCollinsPublishers Ltd 2013
The Daylight War First published in Great Britain by HarperVoyager 2013 Copyright © Peter V. Brett 2013 Cover Layout Design © HarperCollinsPublishers Ltd 2013
The Great Bazaar and Brayan’s Gold First published in Great Britain by HarperVoyager 2011 Copyright © Peter V. Brett 2011 Cover Layout Design © HarperCollinsPublishers Ltd 2011
Messenger’s Legacy First published in Great Britain by HarperVoyager 2014 Copyright © Peter V. Brett 2014 Cover Layout Design © HarperCollinsPublishers Ltd 2014
Peter V. Brett asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBNs:
The Painted Man: 9780007276134 The Desert Spear: 9780007276165 The Daylight War: 9780007276196 The Great Bazaar and Brayan’s Gold: 9780007444458 Messenger’s Legacy: 9780008114718 Bundle Edition (Containing The Painted Man, The Desert Spear, The Daylight War, The Great Bazaar and Brayan’s Gold and Messenger’s Legacy) © February 2015 ISBN: 9780008117542
Version: 2015-01-28
319 AR
The great horn sounded.
Arlen paused in his work, looking up at the lavender wash of the dawn sky. Mist still clung to the air, bringing with it a damp, acrid taste that was all too familiar. A quiet dread built in his gut as he waited in the morning stillness, hoping that it had been his imagination. He was eleven years old.
There was a pause, and then the horn blew twice in rapid succession. One long and two short meant south and east. The Cluster by the Woods. His father had friends amongst the Cutters. Behind Arlen, the door to the house opened, and he knew his mother would be there, covering her mouth with both hands.
Arlen returned to his work, not needing to be told to hurry. Some chores could wait a day, but the stock still needed to be fed and the cows milked. He left the animals in the barns and opened the hay stores, slopped the pigs, and ran to fetch a wooden milk bucket. His mother was already squatting beneath the first of the cows. He snatched the spare stool and they found cadence in their work, the sound of milk striking wood drumming a funeral march.
As they moved to the next pair down the line, Arlen saw his father begin hitching their strongest horse, a five-year-old chestnut-coloured mare named Missy, to the cart. His face was grim as he worked.
What would they find this time?
Before long, they were in the cart, trundling towards the small cluster of houses by the woods. It was dangerous there, over an hour’s run to the nearest warded structure, but the lumber was needed. Arlen’s mother, wrapped in her worn shawl, held him tightly as they rode.