The First Iron Lady: A Life of Caroline of Ansbach
History has forgotten Caroline of Ansbach and yet in her lifetime she was compared frequently to Elizabeth I and considered by some as ‘the cleverest Queen consort Britain ever had’.The intellectual superior of her buffoonish husband George II, Caroline is credited with bringing the Enlightenment to Britain through her sponsorship of red-hot debates about science, religion, philosophy and the nature of the universe. Encouraged by Lady Mary Wortley Montagu, she championed inoculation; inspired by her friend Leibniz and Samuel Clarke, she mugged up on Newtonian physics; she embraced a salon culture which promoted developments in music, literature and garden design; she was a regular theatre-goer who loved the opera, gambling and dancing. Her intimates marvelled at the breadth of her interests. She was, said Lord Egmont, ’curious in everything’.Caroline acted as Regent four times whilst her husband returned to Hanover and during those periods she possessed power over all domestic matters. No subsequent royal woman has exercised power on such a scale.So why has history forgotten this extraordinary queen?In this magnificent biography, the first for over seventy years, Matthew Dennison seeks to reverse this neglect. The First Iron Lady uncovers the complexities of Caroline’s multifaceted life from child of a minor German princeling who, through intelligence, determination and a dash of sex appeal, rose to occupy one of the great positions of the world and did so with distinction, élan and a degree of cynical realism. It is a remarkable portrait of an 18th-century woman of great political astuteness and ambition, a radical icon of female power.
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This eBook first published in Great Britain by William Collins in 2017
Copyright © Matthew Dennison 2017
Matthew Dennison asserts the moral right to be identified as the author of this work
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Source ISBN: 9780008121990
Ebook Edition © August 2017 ISBN: 9780008122010
Version: 2018-08-20
For Gráinne, with love
‘Behold, thou art fair, my love; behold, thou art fair … Thou art all fair, my love; there is no spot in thee.’
Song of Solomon
Contents
I Princess of Ansbach: ‘Bred up in the softness of a Court’
II Electoral Princess: ‘The affections of the heart’
I Princess of Wales: ‘Majesty with Affability’
II Leicester House: ‘Not a Day without Suffering’
‘The darling pleasure of her soul was power.’
Lord Hervey, Memoirs
‘She loved the real possession of power rather than the show of it, and whatever she did herself that was either wise or popular, she always desired that the King should have the full credit as well as the advantage of the measure, conscious that, by adding to his respectability, she was most likely to maintain her own.’
Walter Scott on Caroline of Ansbach, The Heart of Midlothian, 1818
History has forgotten Caroline of Ansbach. The astuteness of her political manoeuvrings; her patronage of poets, philosophers and clerics; her careful management of her peppery husband George II; the toxic breakdown of her relationship with her eldest son, Frederick; her reputation as Protestant heroine; even the legendary renown of her magnificent bosom – ‘her breasts they make such a wonder at’ – have all escaped posterity’s radar.1
Her contemporaries understood her as the power behind George II’s throne. One lampoon taunted, ‘You may strutt, dapper George, but ’twill all be in vain;/We know ’tis Caroline, not you, that reign.’2 She was the first Hanoverian queen consort. On her arrival in London from Germany in October 1714, following the accession of her father-in-law as George I, she became the first Princess of Wales since 1502, when Catherine of Aragon married Prince Arthur, short-lived elder brother of the future Henry VIII.
Blonde, buxom, with a rippling laugh and a raft of intellectual hobbyhorses, in 1714 she was also the mother of four healthy children. Her fertility was in stark contrast to the record of later Stuarts: barren Catherine of Braganza, Portuguese wife of Charles II; childless Mary II and Queen Anne, whose seventeen pregnancies fatally undermined her health but failed to produce a single healthy heir. Early praise of Caroline celebrated her fecundity. Poet Thomas Tickell’s Royal Progress of 1714 invites the reader to marvel at ‘the opening wonders’ of George I’s reign: ‘Bright Carolina’s heavenly beauties trace,/Her valiant consort and his blooming race./A train of kings their fruitful love supplies.’ Those magnificent breasts, so remarked upon by onlookers and commemorated in a formidable posthumous portrait bust by sculptor John Michael Rysbrack, were an obvious metaphor, key assets for the mother of a new dynasty.3
With conventional hyperbole, the future Frederick the Great addressed her as ‘a Queen whose merit and virtues are the theme of universal admiration’.4 Voltaire acclaimed her as ‘a delightful philosopher on the throne’.5 Her niece, the Margravine of Bayreuth, praised her ‘powerful understanding and great knowledge’, and an Irish clergyman noted in her ‘such a quickness of apprehension, seconded by a great judiciousness of observation’.6 In his Marwnad y Frenhines Carolina (‘Elegy to Queen Caroline’), London-based Welsh poet Richard Morris called her ‘ail Elisa’, a second Eliza or Elizabeth.7 Jane Brereton’s The Royal Heritage: A Poem, of 1733, made another Tudor connection, linking the intelligent Caroline with Henry VIII: ‘O Queen! More learn’d than e’er Britannia saw,/Since our fam’d Tudor to the Realm gave Law.’8 More simply, her girlhood mentor described her company as ‘reviving’.9 Meanwhile Alexander Pope, a sceptical observer, was responsible for several critical poetic imaginings of Caroline. These include the personification of cynical adroitness he offered in
