The Giver: FIrst published in the USA by Houghton Mifflin in 1993.
First published in Great Britain by HarperCollins in 1994.
Published by HarperCollins Childrenâs Books in 2008.
Gathering Blue: Published in the United States by Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company in 2000.
Messenger: First published in the USA by âHoughton Mifflin Books for Childrenâ an imprint of Houghton Mifflin Harcourt in 2004.
Son: Published in the United States by Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company in 2012.
First published in Great Britain by HarperCollins Childrenâs Books in 2014
HarperCollins Childrenâs Books is a division of HarperCollinsPublishers
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Copyright © Lois Lowry 2014
Cover design by Charles Brock, Faceout Studio
The Giver: Text copyright © Lois Lowry 1993; A note from the author copyright © Lois Lowry 2003; Why Youâll Love This Book copyright © Margaret Mahy 2008
Gathering Blue: Copyright © Lois Lowry 2000; Cover design by Charles Brock, Faceout Studio
Messenger: Copyright © Lois Lowry 2004; Cover design by Charles Brock, Faceout Studio
Son: Copyright © Lois Lowry 2012; Cover design by Charles Brock, Faceout Studio
Lois Lowry asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
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Source ISBN: The Giver 9780007369881, Gathering Blue 9780007597277, Messenger 9780007597291, Son 9780007597314
Ebook Edition © 2014 ISBN: 9780007597321
Version: 2014-07-18
Why Youâll Love This Book By Margaret Mahy
Lois Lowry is one of the most outstanding writers for children and young adults in the USA. She is well known for her stories about Anastasia Krupnik â funny stories that have been hugely popular with young readers since the first one was published in 1979.
Lois Lowry has said that she got the ideas for the Anastasia stories from remembering her own childhood and, later, from her own experiences as a parent. But The Giver is a very different sort of story from the stories about Anastasia. And it shows that Lois Lowry can write a sinister book as well as a funny one.
The Giver is possibly the most alarming story of all her books â a disconcerting book ⦠a book for young adults and adults, rather than younger children, though good and thoughtful readers of perhaps eleven up could certainly read it with understanding and appropriately mounting apprehension.
Jonas, the hero of The Giver, lives a highly ordered life as a member of a group who describe themselves as âthe communityâ. And, though Jonas is happy enough with his parents, his lively sister and his friends, he is also beginning to experience strange moments of visions ⦠visions that belong to him alone. He is moving towards great changes, and we the readers move with him. We come to understand that the life lived within his community is ominous as well as protected. People around Jonas have chosen to live extremely ordered lives but, as the story unfolds, the reader comes to see that this order has a particularly dark side. Memories of colour and music for example have been surrendered. But these memories are not altogether lost. They are contained and held by a mysterious man called the Giver. A lot of the story deals with the relationship between Jonas and the Giver â a man who is beyond the community, and a container of those memories of feeling and colour which he can pass on to Jonas, who will (it is expected) become a Giver himself. In order to communicate with the present Giver Jonas is released from the rules that govern everyone else around him, so the story becomes very much a story of self realization â a self realization that is expected, ultimately, to enrich a group of people denied self realization themselves.
As for the ending â well, the reader has to make up his or her own mind about the ending. Is it realistic? Is it symbolic?
Lois Lowry has written a note about The Giver (which you can read at the end of this book), saying that she did not immediately realise that it was different from any other book she had written, until she started receiving letters from readers (mostly adults) in the outside world proving that the story was being widely read. Many people praised it but there were some towns that banned it from their schools and libraries. Lois had intended to write a childrenâs adventure story, but