Allerbrook House is a charming and unusual manorhouse in the Exmoor district of Somerset. The charm lies in the pleasant pro portions, in the three gables looking out from the slate roof, echoed by the smaller, matching gable over the porch, and the two wings stretching back toward the hillside that sweeps up to the moorland ridge above.
In front, the land drops away gently, but to the west there is a steep plunge into the wooded combe where the Allerbrook River flows noisily down from its moorland source toward the village of Clicket in the valley, a mile or so away.
There is no other house of its type actually on Exmoor. It has other uncommon features, too. These include the beautiful Tudor roses (these days they are painted red and white just as they were originally) carved into the panels and window seats of the great hall, and the striking portrait of Jane Allerbrook which hangs upstairs in the east wing.
The portrait is signed “Spenlove” and is the only known work by this artist. Jane looks as though she is in her early forties. She is sturdily built, clear skinned and firm of feature—not a great beauty, but, like the house, possessed of charm. She is dressed in the Elizabethan style, though without excess, her ruff and farthingale modest in size. Her hair, still brown, is gathered under a silver net. Her gown is of tawny damask, open in front to reveal a cream damask kirtle, and her brown eyes are gentle and smiling.
But the painter knew his business and recorded his sitter’s face in detail. There is a guarded look in those smiling eyes, as though their owner has secrets to keep, and there are little lines of worry around them, too. Well, Jane in her forties already knew the meaning of trouble.
Her original name was Jane Sweetwater. The household didn’t adopt the name of Allerbrook until the 1540s. She was sixteen years of age on that day in 1535, when the family was preparing to send her elder sister, Sybil, to court to serve Queen Anne Boleyn as a maid of honour, and with only a week to go before Sybil’s departure and a celebration dinner planned for the very next day, there was much anxiety in the household, because the new gowns that had been made for her had not yet been delivered.
“Eleanor,” said Jane Sweetwater to her sister-in-law, “Madame La Plage is coming. I’ve just seen her from the parlour window.”
“Thank God,” said Eleanor, brushing back the strand of hair that had escaped from her coif. “I know she sent word that she’d come without fail today, but I was beginning to think that Sybil would have to attend her celebration dinner in one of her old gowns.”
She wiped her forehead, which was damp. The March day was chilly enough, but she had been pulling extra benches around the table in the great hall, and the whole house seemed to be full of the steam from the kitchen. Preparations were under way for the feast tomorrow, when notable guests would gather to congratulate Sybil on her appointment to court, a great honour for the daughter of a Somerset yeoman.
Now everything that could possibly be prepared in advance was being so prepared, with much rolling and whisking and chopping by energetic maidservants, and pots and cauldrons simmering over a lively fire.