William Collins
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This eBook published by William Collins in 2015
Life & Times section © HarperCollinsPublishers Ltd
Gerard Cheshire asserts his moral right as author of the Life & Times section
Classic Literature: Words and Phrases adapted from
Collins English Dictionary
Cover by e-Digital Design. Cover image: 1911 1>st edition illustration by Pamela Colman Smith, courtesy Wikicommons
A catalogue record for this book is available from the British Library.
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Source ISBN: 9780008110505
Ebook Edition © January 2015 ISBN: 9780008110512
Version: 2014-12-18
In 1819, millworker William Collins from Glasgow, Scotland, set up a company for printing and publishing pamphlets, sermons, hymn books, and prayer books. That company was Collins and was to mark the birth of HarperCollins Publishers as we know it today. The long tradition of Collins dictionary publishing can be traced back to the ï¬rst dictionary William published in 1824, Greek and English Lexicon. Indeed, from 1840 onwards, he began to produce illustrated dictionaries and even obtained a licence to print and publish the Bible.
Soon after, William published the ï¬rst Collins novel, Ready Reckoner; however, it was the time of the Long Depression, where harvests were poor, prices were high, potato crops had failed, and violence was erupting in Europe. As a result, many factories across the country were forced to close down and William chose to retire in 1846, partly due to the hardships he was facing.
Aged 30, Williamâs son, William II, took over the business. A keen humanitarian with a warm heart and a generous spirit, William II was truly âVictorianâ in his outlook. He introduced new, up-to-date steam presses and published affordable editions of Shakespeareâs works and ThePilgrimâs Progress, making them available to the masses for the ï¬rst time. A new demand for educational books meant that success came with the publication of travel books, scientiï¬c books, encyclopedias, and dictionaries. This demand to be educated led to the later publication of atlases, and Collins also held the monopoly on scripture writing at the time.
In the 1860s Collins began to expand and diversify and the idea of âbooks for the millionsâ was developed. Affordable editions of classical literature were published, and in 1903 Collins introduced 10 titles in their Collins Handy Illustrated Pocket Novels. These proved so popular that a few years later this had increased to an output of 50 volumes, selling nearly half a million in their year of publication. In the same year, The Everymanâs Library was also instituted, with the idea of publishing an affordable library of the most important classical works, biographies, religious and philosophical treatments, plays, poems, travel, and adventure. This series eclipsed all competition at the time, and the introduction of paperback books in the 1950s helped to open that market and marked a high point in the industry.
HarperCollins is and has always been a champion of the classics, and the current Collins Classics series follows in this tradition â publishing classical literature that is affordable and available to all. Beautifully packaged, highly collectible, and intended to be reread and enjoyed at every opportunity.
The Lair of the White Worm was published the year before Bram Stokerâs death, in 1911. Like Dracula the tale was loosely based on folklore, a fable from the north-east of England featuring a serpentine dragon named the Lambton Worm. There were many variations on the story; part of an oral tradition of storytelling, different narrators had adapted and embellished it over the centuries.
Stokerâs nightmarish monster lives in a lair and terrorizes the characters in the novel, and the plot is ultimately a classic tale of good versus evil. To reflect this theme the novel was also titled The Garden of Evil. Despite following the authorâs success with Dracula, the novel was well-received and has since become something of a classic in the horror genre.
The original novel included a number of illustrations by Pamela Colman Smith, one of which is featured on the cover of this edition. She met Stoker in 1900 when both were involved with the Lyceum Theatre Group. He was the business manager and she the costume designer.