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First published in Great Britain by HarperCollinsPublishers 2018
Copyright © Alex Lake 2018
Cover design by Ellie Game © HarperCollinsPublishers Ltd 2018
Cover photographs © Mark Owen/Plainpicture (house, front cover), Shutterstock.com (figure in window, house on back cover)
Alex Lake asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008272371
Ebook Edition © December 2018 ISBN: 9780008272395
Version: 2018-10-24
The woman driving the car knew better than to stop for hitchhikers. Maybe, decades ago, she would have considered it. Things were different then. People had good intentions. Kids were polite, and respectful to adults. They didn’t hang around the streets wearing hoodies and intimidating passers-by. A hitchhiker would, more than likely, be in search of nothing other than a lift to their destination. So yes, she might have picked one up years ago.
But only in the right circumstances. If she was with someone. And it was daylight. And the hitchhiker looked respectable.
Even back then she would never have picked someone up alone, at night, on a quiet road through deserted countryside, a road lined by half-bent trees and high hedges.
And she wasn’t about to start now.
It was still awkward, though. You didn’t want to acknowledge the person as you passed them because that meant acknowledging you were not generous enough to help them out. It was like passing a beggar on the street; you didn’t want to look at them, didn’t want to have the embarrassment of saying ‘no’ when they asked for money. So you marched on, eyes forward, as though they weren’t even there.
It was easy on a busy street with other people around, other things to look at, but on a country road at night? It was much harder. There was nothing to pretend you’d been distracted by. It was obvious you would have noticed the hitchhiker. You couldn’t not.
Who was, she saw as she approached, a young woman. At least she thought so, from a distance. Long hair, slight build. For a moment her resolve wavered – maybe she would pick her up, she shouldn’t be out here alone – but then she stiffened. She’d heard of this kind of trick: put an innocent, unthreatening woman out there and then, when the driver stopped, a thug – or gang of thugs – would jump out, steal the car and leave her there, alone.
Or worse. Raped. Dead.
She got ready to swerve in case the young woman jumped or stumbled into the road. That was another trick she’d heard about. Or maybe she was drunk. It wouldn’t be a surprise. Nowadays young women got drunk all the time, out in town centres that were no-go areas at night, vomit-streaked war zones populated by feral youths intent on fighting and drinking and having sex with each other.
The hitchhiker’s head turned towards the sound of the car. She raised her hand. It was a curiously weak movement. Hesitant. Tentative. Fearful, almost. The woman driving the car shook her head. She was definitely not stopping. The girl was probably on drugs, as well as drunk.
And then the beam of the headlights lit her up and the woman driving the car let out a sharp gasp.
The hitchhiker was a young woman, in her late twenties, or maybe early thirties.
She was also completely naked.
But that wasn’t the most shocking thing about her.